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Tag: The Real China (Page 2 of 5)

The Real China: A Timeshare Adventure (Pt. 2/2)

Continued from Part 1

The trap was sprung. Aunt Fong and I were stranded at a makeshift timeshare sales office in the back corner of an isolated construction lot, in an out-of-the-way part of a city I didn’t even know the name of.

Once inside, we briefly wandered through the sales office, looking over the enlarged map on the wall and the model display of the future, finished apartment complex. China, currently undergoing a construction boom, has sales offices throughout its cities with large display models like those. They always inspired me with childish daydreams of filling the streets with army men and tanks, playing out big battles or defending civilians against a rogue, mutated lizard. Out back of the sales office was a lawn area with two rectangular fountain pools, some shade trees, and three different demo buildings to show all the tourist/prospects what their timeshare purchase would be like. (I refer to the apartments as timeshare units, but I do not know for sure that the Chinese used the infamous timeshare system prevalent in American vacation spots. However it was, they were trying to stick us poor saps with vacation property.)

I wonder if this grandmother daydreamed like me about marauding through this model of the Forbidden City (at a theme park in Southern China).

I wonder if this grandmother daydreamed like me about marauding through this model of the Forbidden City (at a theme park in Southern China).

Our walkthrough lasted 30 minutes at most, and most of those minutes were spent flattening up against a wall or shuffling through a crowded hallway to get a look at a bed or shower stall with all the other trapped souls loitering their time away. Reluctantly, my aunt led me back into the sales office to find a seat. I have no idea what Aunt Fong told our inescapable sales rep as he pulled his white plastic chair up next to ours, but the mood was one of tension and futility. I could not feel sorry for him; anyone caught in the sales game (as I shamefully once was) ought to relieve themselves of the dirty business.

It must have been plain, even to the men on that sales mission who were primarily focused on scoring money, that Aunt Fong and I were an unfortunate woman and her foreign “son” who had been duped into this scam, and no amount of salesmanship would have turned us into buyers. Salesmen, unscrupulous curs by nature, have no shame and they believe that every objection can be overcome, so they will hound a prospect until he gives up his money or, in a fit of anger or frankness, spits out the real objection (or curse words) and walks away. For Aunt Fong and me, there was no exit, but the young sales rep could see there was no use harrying us- doting middle-aged women and their foreign honorary sons do not buy vacation property.

It did not matter that our assigned sales rep was content to coast through this misery with us by offering refills for our water cups and bothering us only occasionally; his teammates rotated with him in a system that ensured the tourists were always talking to someone and had new, fresh personalities constantly entering and working them over. In China, I had seen how the morning shift employees would line up outside the store’s front doors and either be berated by the boss or receive a pep talk and have a group cheer (even the security guards at my university’s gates would do this before they went to loafing in the guard booth for the day), so I could only imagine how awful the strategy meetings were for these college-aged kids who were selling timeshares to unsuspecting tourists in this weekend getaway racket. Every time a new sales rep or manager came over to us, I knew it was because they had a sales manager or president breathing down the back of their neck, and if they didn’t perform, he would call them out in front of everyone at the sales meeting.

I considered that all these sales reps were just kids trying to pay for college, or without the grades to get into a good college program, and now the cult-like company environment had them believing they had to pressure innocents in order to make money. (Money! That most sacred of words to a salesman’s ears, surely containing more pleasures than paradise.) But I knew better than to pity the youths; sales companies quickly filter out those with any qualms about the ethics of scamming, cheating, charming, and cozening (hence the high turnover of the fainthearted), so anyone still working for this timeshare company was either nearly out the door or, just as likely, a performer who had refined his craft to make regular sales and, more importantly, someone covetous of filthy lucre. Feeling sorry for the hopeless squad of salesman would be like feeling sorry for a hungry snake coming upon a bird’s nest only to find it empty. Let it starve. The world does not need more timeshares.

I was so innocent before at the beach, not knowing what sales agony lie in store.

I was so innocent before at the beach, not knowing what sales agony lie in store.

During the first hour, I slowly lost hope. My stomach felt worse than terrible, the constant presence of the sales rep made everything awkward and without a moment’s privacy, and the mass of people crowded throughout the confines, combined with the dance music, drumming, and shrill announcements over the PA system, made it impossible to focus on a single, clear thought. When the man behind the main counter began whacking away at the drum for the third time, and the thin girl once again rose into a fever pitch of exclamation, Aunt Fong asked me if I knew what she was hollering into the microphone about. Yes, I nodded, they had gotten some wearied soul to sign on the dotted line. Those “lucky” buyers then became the envy of everyone else when they were allowed to take their families into a small, private room shut off from the main sales office.

I reasoned after the fourth or fifth announcement, when an hour had gone by and things seemed to relatively slow down (there were no new busloads of people and no new sales celebrations), that surely, everyone had been subjected to the sales pitch and had time enough to make a final decision. Our business was done here; let us go. I was neglecting to factor in the callous, unrelenting hearts of the managers behind this sales tactic. They were going to hold us there as long as they wanted and squeeze us until more signed contracts came out. Like juicing a lemon, the effort and time put into the final drops- just to make sure all the juice that could be gotten out was gotten out- was far more than the first effort of squeezing the fresh fruit.

During the second hour, after I had made a trip to the bathroom, seeking some stomach relief in vain, and come back to sit next to Aunt Fong, she told me to close my eyes and rest. She would do this all the time in China’s various and sundry crowded, chaotic scenes. I protested about the futility of trying to ignore bedlam this way, but she would always insist I follow her relaxation technique. So, absurdly, as the dance music thumped on and people walked and talked around us, I followed her lead and lay back in my chair to try and relax.

Our assigned sales rep at least had the sense not to try selling us at that point, but that didn’t stop his sales buddy from tagging in and loudly speaking at us. He was barking away like a man possessed towards two people who would not even open their eyes to look at him. He tried selling us by starting a conversation with me, a foreigner who could not understand a word he said. I finally opened my eyes and stared at him, mystified that he was going on at length when I clearly comprehended none of it, and I tried telling him a couple times, in Chinese, that I didn’t understand. “Ting bu dong. Ting bu dong.” It was no matter. He chattered on until Aunt Fong bitterly scolded him and told him to get lost. He retreated, but still we could get no peace. Inevitably, other salesmen came in to take his place. They were on a tag team system, sent out by an overbearing sales manager, and would not leave prospects alone. The large stereo speakers, not twenty feet away, continued pounding out a dance beat.

So, Aunt Fong and I retreated to the back lawn and pulled some chairs underneath a shade tree. As the din of the sales routine reverberated and repeated around us- tourists never really changing places as new faces came in to badger them- I began contemplating if I could sneak off into one of the demo apartments and stretch out on the bed for a nap. My pain showed no signs of subsiding and I was growing weaker by the minute. After another half hour, Aunt Fong went out to the bus and convinced someone to open it so she could get her bag. Then, at least we had some bread and snacks to give us energy and occupy our time. Plus, I had my notebook, so I did my best to focus on writing over hours three and four.

Writing in relative luxury- I had one of the only chairs on the lawn with a back and arm rests, most everyone else sat on stools for hours.

Writing in relative luxury- I had one of the only chairs on the lawn with a back and arm rests, most everyone else sat on stools for hours.

Yes, hours three and four. I spent them wilting in the oppression of the summer heat and sales bleed. When my eyes drifted from my notebook, I entertained myself watching two little boys, one wearing only sandals and the other nearly naked, as they ran around the lawn and splashed in the fountains. They skipped about, having the time of their lives, blissfully unaware of everyone else’s misery. Their hilarity, I thought, was a picture of the incurable optimist who believes attitude creates every situation, rather than believe that being stranded at a sales company office creates the situation. Those bare-bottomed little boys may well have found the only way to be happy during that sales pitch. Like most optimists, they ought to have been embarrassed by their naked idiocy, but they were only thinking of the glee they had running without clothes. I smiled, not at their pluck, but because I was the only one who seemed to notice two naked boys running around. Back at the university, a student once summed up Chinese opinion on public child nudity by remarking, “What? It’s natural.”

Someone needs to sell that baby a sense of shame.

Someone needs to sell that baby a sense of shame.

Then, in my plastic lawn chair, my head drooping in defeat, I noticed a bright green praying mantis balancing on the blades of grass. I tried to pick him up, but he always hopped out of range of my fingers, so I switched to taking pictures of him as he crawled around. Eventually, he walked over to a tree trunk and started climbing. I was captivated and watched him until he was so high that he disappeared in the sunlight. Then I was left with only my notebook for entertainment and at least another hour waiting in that chair.

Mantis vs. tree.

Mantis vs. Tree

Finally, well beyond four hours after we were stranded in that cursed sales office, people started standing up, the sales reps quickly stacked the chairs, and we were back on the bus. Our captivity stretched well into dinnertime, so they had to relent. I was expecting a mutiny at any point during that unendurable afternoon. I imagined that there would surely be impatient individuals who would cause a major fuss if this were an American group. I couldn’t fathom how a Chinese crowd, known for their lack of manners, had failed to cause an uproar.

The bus driver took us right back to the restaurant we had eaten lunch at, which both dampened any enthusiasm I might have had for dinner and clued me in that the sales company and restaurant owner had a business arrangement with each other. The sight of food didn’t move my appetite and my stomach gripes had grown more turbulent, so I didn’t try eating any food. Not even when the man sitting next to me, another tourist (with a bald head, side tufts of hair, and glasses that made him look like an ostrich), dug a fish head out of the soup and plopped it into my bowl as a show of friendly hospitality to a foreigner. I listlessly stared at it, and he blurted out some choppy sentences in Chinese through a foamy mouth full of food. Aunt Fong insisted he was being very friendly. I spent the rest of the dinner declining food offers and waiting for the evening to end.

After eating, they took us straight back to the hotel. We had spent so long at the sales office that there was no time for any after-dinner activities, which was fine by me. I took some medicine from Aunt Fong and went straight to bed.

On Sunday morning, the sales reps came around again, banging on our door and hauling our luggage out to the bus. They drove us out to another dopey Buddha statue on the beach, so I walked along the shoreline and looked out at the sea for twenty minutes. Then, it was back on the bus, where I hung my head and wished that we would turn onto the highway and just start the long trip back to Bengbu. But I was awoken out of my gloom by a bump! bump! and the awful, terribly familiar shaking of the bus. Oh, please, they can’t be serious. This isn’t happening.

We were headed back to the sales office.

This baby was probably the only one excited to go back. I think even the sales reps and managers hated themselves for putting us through that grind.

This baby was probably the only one excited to go back. I think even the sales reps and managers hated themselves for putting us through that grind.

In the words of Karl Childers from Sling Blade, “I seen red.” I didn’t have the strength or the language faculties to say anything, but why weren’t the other passengers on the bus protesting? Americans, I had a feeling, would rise up and demand that bus be turned around. I reflected on tense situations I had witnessed in the past, growing up in the States, and usually there were one or two fiery individuals who would raise a ruckus and give voice to the complaints of the silent majority. In those instances, I could hold my tongue and quietly observe the battle unfold. Perhaps, I surmised, now I was in the middle of China’s group-minded culture, where no one wanted to be the one to speak up, draw attention to themselves, and risk losing face. Or perhaps everyone’s psyche was crushed from the day before and we all believed we had no option but to helplessly sit through the sales pitch again. Every sales pitch has its psychology plotted out, so the timeshare company probably expected, reasonably, that a second dose of the sales office would leave all the tourists so exhausted that they had no sales resistance.

I began reasoning with myself again. Maybe they only needed to check over some documents from yesterday. One of the sales reps will run in while we wait here on the bus.

We came to a stop and the sales reps immediately stood up; everyone else followed. No! No! Come on, people! Let’s kick out the windows or do whatever we have to- we are not going back into that office! Do not go gentle!

I was in a feverish sweat. Sitting in the back row, watching the backs of the others as they filed out, I resolved not to leave my seat. I was terribly sick, I had no energy, this sales treatment was an outrage, and all I wanted was to lie down and rest. By the time everyone except Aunt Fong, me, and a couple sales reps had left the bus, I recognized that my protest was futile. I would be shut inside a hot bus with hardly any ventilation. Aunt Fong, recognizing my current infirmity, looked at me sorrowfully and helped me to my feet. “Don’t angry. Don’t angry,” she said.

Off the bus, I grimaced in pain and searched for the nearest place I could lie down and escape the sun. Aunt Fong and I didn’t even start down the walkway into the sales office, lined with yesterday’s haggard, colorful streamers that were pathetically flitting in the wind. I hobbled across the dirt roadway and sat down under a tree where the bullfrog-shaped bus driver and his wife had already claimed the only decent seating. Sitting on a wooden post, supporting myself with my hands on my knees and barely having the strength to stay erect, I watched a scene on the dirt roadway.

Outside the bus, Aunt Fong was quarreling with some of the sales managers. She was furiously shrieking at them, and one, maybe the head manager, was posturing and shouting right back at her in between drags of his cigarette. Aunt Fong was inconsolable; I was enraged. My downcast face and posture didn’t show it, but I was filled with wrath beyond the point that polite people care to admit they are capable of. I wanted to commit violence. I imagined myself marching into the sales office and overturning the tables and driving all the sales reps out, kicking over the speakers, and tossing that big drum into the model table. I wanted to yell at someone or run off and take the bus out of that miserable resort.

I was incapacitated by illness, so I wasn’t capable of any of those actions, but as I watched Aunt Fong and the sales manager continue to fight with raised voices, I swore to myself that if that manager went from aggressive, dismissive gesturing with outstretched arms to placing his hands on Aunt Fong or so much as poking her in the chest with his finger, I was going to be up and off my seat. It would have required everything I had and my body would be completely spent, but I was ready and willing to pay the price. I was going to lay hands on this Chinese ruffian and take him down to Brazilian jiu-jitsu town. I didn’t care if he had learned Tai Chi in the park from Kung-Fucious himself, I had spent enough time grappling to take him down, sit on his chest, and make him sorry he ever considered selling us timeshare. I would probably double over in pain afterwards and vomit what little was left in my stomach, but I believed I could will myself to efficiently tackle that scoundrel and serve him his comeuppance.

I watched intently for a moment of contact between him and Aunt Fong, but it didn’t happen. After telling them off, she broke away from the small huddle and hurried over to me, still slumped on the wooden post in a sullen pose. She took my hand in hers, knelt down in the dirt so she could look up into my downcast eyes, and with tears streaming out of hers, she pleaded with me, saying, “Sorry. Sorry. I’m sorry.” I reached my hand out and tried to comfort her with my languid arm. Tears were running down my face, too.

“No, no, mei gwanshee. Mei-yo wuntee.” Never mind. No problem, I told her.

After a moment together, we went back under the shade trees out behind the sales office to find a better seat. This time, I did not even have the energy to eat or entertain myself. I read and struggled to sleep, tormented by the discomfort of the cheap lawn chair and the unceasing noise around me. It was Sunday, and trapped as I was I still tried to have a rest and read through passages of my Bible. I know, that must seem like a great contrast between my feelings of wrathful violence a few moments earlier. I suppose my spirit has passes from Psalm 83 to 84. A great thirst for God’s vengeance, to a desire for peace in His presence.

Trying, and failing, to sleep on a long, sick Sunday afternoon.

Trying, and failing, to sleep on a long, sick Sunday afternoon.

About three hours later, we were allowed back on the bus.

Lunch was at the same restaurant as before. This time, I didn’t even pick up my chopsticks. The smell and sight of food, and the stuffy, enclosed space of the dining room had me feeling even worse than before, so I spent the duration of the meal seeking fresh air out on the street curb, next to the smokers. They asked me where I was from and if I played basketball. They laughed at themselves for teasing a six-foot tall American with such a novel question.

In time, we were back on the bus and on the highway. I spent the trip alternating my posture as I reclined on the back row of seats, failing to ever fall into a deep sleep. So, I passed the time straining my eyes to try and read the subtitles of the movie on the overhead televisions. Stopping mid-way at a rest area, I sought a moment of solitude by walking around the back of the bathrooms and shops. My assigned sales rep was at my heels in a moment; he couldn’t let me be, even then. As I solemnly circled the parking lot and ambled back onto the bus, I refused to respond to his pleasantries or the looks of anyone else involved with the company. They disgusted me and I never wanted to see any of them ever again.

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After an exhausting, seemingly interminable ride, we were back from whence we came, in Aunt Fong’s city, at a time when people were in bed and the streetlights were the only thing filling the lonely streets. The bus pulled up to the corner where this whole regretful experience began. People poured out of that bus as fast as they could, desperately hailing down taxis, no one saying the least word to each other or even making eye contact to acknowledge another and tacitly bid them good bye. I thrust through the sparse line of people on the sidewalk and pulled my luggage out from the cargo space below the bus, not content to allow our sales rep to show me the courtesy, stepping past him to grab hold of it myself.

Aunt Fong and I looked left and right for a cab. As she walked down the sidewalk, I paused, noticing the attractive sales rep standing by herself on that forlorn street corner. I had felt this dilemma approaching in my stomach as we neared the end of our trip. I could have easily walked up to this young woman, one of the most attractive I had seen in China, and asked her for her phone number. Two nights ago she had outright told me she was interested in me. But she was part of this ugly, devious sales company, earning her wages by beguiling the unsuspecting. I hated that company and I wanted to be rid of even the memory of it.

I wasn’t going to be like Lot’s wife. In that instant I turned away from her and looked over my other shoulder to see that Aunt Fong had found a free cab. I strode forward without ever looking back. She and I were back at her apartment in a moment; then I was in my bed on the floor of the guest bedroom. I wanted to put this awful weekend behind me. Compared to it, all the other bad weekends in China were only runners-up.

I say bad “weekends” and not “times” because, while I managed to make it through the weekend without collapsing and being taken to the hospital, I could not maintain throughout the week. My three-day hospital stay would begin starting Monday night.

The Real China: A Timeshare Adventure (Pt. 1/2)

Finishing my last grading in China.

Grading my final tests in China.

It was July. I had just finished grading my semester tests; my time in China was coming to an end. This meant that my time with Aunt Fong was coming to an end.

My university had been good enough to give me until the end of the month on my work visa, so I had four weeks of time to do what I willed in their country. Being a Chinese socialist state, “doing as I willed” did not include viewing YouTube, blogs, Facebook, or other social media online, but likewise being a dilapidated society in the midst of industrial revolution, I probably could have demo-rigged an old concrete farmhouse with fireworks and been let off with a stern talking to. Realistically, in China I was free to set off fireworks at will, start fires on the sidewalk, and use the street as a human waste receptacle with intersections.

By the end of my journey, I was so sapped of energy and enthusiasm that I barely had the spirit to go on. Had I not had the strong desire in my heart to stay with my Chinese aunt, I would have gladly booked a flight the week after classes ended and bid China a hasty “88” (that’s a texting abbreviation for “bye, bye”; eight, in Mandarin Chinese, is pronounced “ba”). I had spent part of every week with stomach cramps or diarrhea, I had come to my wits’ end with classes who would not speak freely no matter how easy the atmosphere or how soft I made myself (if a rare student did have the audacity to ask a question to the foreign teacher, they struggled to say something worthwhile), and, as if I have not made it plain already, I was completely disgusted with the Chinese lifestyle and living within Chinese society in a Chinese city.

Before you think to lecture me on having the open-mindedness to accept a different culture, or chastise me for my bitter attitude, I think it should be noted that my treatment of China, her people and culture, has been nicer than necessary. Too generous, even. China is a country where, if you fell down dead (or unconscious) on the subway, the other passengers would leave your body to lie there as they scrambled out of the car like it was on fire, justifying it later with pathetic excuses about liability risk and fear of disease. If your small child wandered away from you and got run over by a van, don’t expect the people nearby to notice her or do anything about it. Don’t even expect those neighbors of yours to recognize you or your child when the police and newspapers come questioning. That’s community life for many in this collectivist society.

Sure, those two events might be notorious and not normative, but they result from a norm of cold indifference to strangers- with “strangers” being a much broader category in Chinese thought versus Western assumptions. I saw appalling things all the time there, even if they weren’t great enough to attract the same media attention. As I observed in the real China, periled strangers are someone else’s problem (as are safety standards, cleanliness, basic resources, etc.). Even family are viewed in terms of cruel economic survival. Getting wealthy for one’s own is the spirit of the times; living life for softer reasons would seem extravagantly foolish.

And let me advise the reader that, before I ever came to China, I spent five weeks in out-of-the-way, Thailand, sleeping under a mosquito net, using a bucket and a barrel for showering and washing my waste down a hole in the bathroom, and being chased by feral dog packs when I ran past the neighboring farm houses- and I loved it. Poor conditions don’t scare me. What bothers me are filthy, crowded cities run by a society shaped by communist groupthink, irrationality, and intense pride in inane, centuries-old cultural tidbits.

My bathroom in Thailand. I didn't love THIS part; I learned to live with it though.

My bathroom in Thailand. I didn’t love THIS part; I learned to live with it though.

At least, in the midst of the squalor, I could find comic relief in the chickens trotting around wherever they pleased.

Being in that situation for so long, practically alone except for an occasional group outing with other English teachers who could venture into deeper conversational waters than “Do you like NBA?”, not being able to speak my thoughts and feelings- at length and in depth- was probably the burden that weighed on me most in China. Many times, I would find myself wanting to cry out to someone, “Can you believe these people?” only to look around and see everyone else either involved in said situation or blissfully unaware of what had me in shock. They were these people. Silently, I would cry out, “None of you notice that girl using the sidewalk as a bathroom? That 9-year old girl, squatting right there? You do notice, but you don’t care!?” My perspective would neither be understood nor welcomed, so my moments of exasperation had to be swallowed and left to fester as unanswered objections and misery.

Throughout all of these “Can you believe this?” experiences, Aunt Fong would plead with me, “Don’t angry China.” She would even beg me to blame her for my disappointment, the one person in China and in my life who was with me whenever she could be and always looked out for me. She made sure I had meals, checked on me at my university, took me to the Sanda (kickboxing) gym and introduced me to the instructor, took me along on various dinners and social outings with her friends, and planned weekend and holiday trips so I could see and potentially enjoy China. Far from being blameworthy, Aunt Fong was my constant companion in China and the only reason I stayed longer than my teaching duties required.

Near the last of my evil days in China, my evil countenance said it all. Aunt Fong, at left, was still keeping a sunny demeanor.

Near the last of my evil days in China, my evil countenance said it all. Aunt Fong, at left, was still keeping a sunny demeanor.

Well, it so happened that while in my summertime blues, feeling diseased, dejected, and disgusted, Aunt Fong felt inspired for us to take a weekend bus trip to the coast and tour a resort town. It wasn’t her first plan (that trip fell through), but as we returned to her apartment complex one afternoon, she stopped to pick up a flyer and listen to the pitch of a sales representative (a young lady who looked like she might be a college sophomore) standing at a marketing table outside her apartment gates. At the time, I had no idea what the trip was all about; I didn’t even recognize the section of map enlarged in the brochure.

All I knew was that Aunt Fong was initially excited about it and thought it would be a great opportunity for me to see a beautiful seaside area. In her mind, she still thought she could win me over on China and get me to stick around another year. Of course, as soon as Uncle Jiang learned of the trip, he chided me, while chewing sunflower seeds and pacing the living room floor, “No! ….no! Tell her, ‘No….’” He was very convincing, groaning out syllables in a gruff tone and setting his face in an inflexible frown.

It only put me in an uncomfortable spot. There was no way I was going to dash Aunt Fong’s hopes and tell her no, and I could likewise neither tell Uncle Jiang to his face, “It ain’t happenin’.”

The next afternoon, when a different sales rep, a young man in his early 20’s, came over to my aunt’s apartment to sign us up and collect the trip fee, she looked at me tentatively and checked if I really wanted to go. “How much is it?” I asked. Cheap, she said, and she was paying.

“How long is the bus ride?” I asked her through Chinese, English, and the mutual understanding we had developed through our time together. It would take about 10 hours to drive to our vacation spot, which would be spent riding Friday night through early, early Saturday morning. Then, on Sunday afternoon we would have to load up and make the return trip home. I wasn’t excited about spending 20 hours plus of the weekend in transit, trying unsuccessfully to sleep on a Chinese bus, so the reason I asked this question was to convey to Aunt Fong that I did not think this trip was worth the travel. I had heard that the Chinese were practitioners of the indirect response; so was I.

There was a moment where she waited on me, looking sympathetic and unsure of my answer, and I sighed and shifted uncomfortably as I begrudgingly told her okay. The sales rep knew enough English to tell me that when I was at the beach, pictured in the brochure, my heart would feel amazing. That wasn’t the point. My aunt thought it would be a good trip and we could have fun seeing a new place. She wanted to make me happy, and I wanted to make her happy, so I consented.

I was miserable, but if being happy would make her happy, I was willing to give it a try.

I was miserable, but if being happy would make her happy, I was willing to give it a try.

On Friday evening we loaded our bags and took a taxi to the travel company’s office. I refer to them as a travel company, not because I fully understood their business, but because as a naïve outsider I had to make inferences and plug along despite my gaps in comprehending the situation.

We waited an exceptionally long time in a building lobby that could have served as a set for a Jackie Chan movie where he beats up the thugs in their derelict, dumpy hideout. Then, we chanced fate and squeezed into a typically trashy Chinese elevator and rode up with ten other people. It was not the first time I was in a precariously slow elevator and my group tripped the weight limit buzzer or had to turn people away.

Upstairs, we walked into a room clearly separated into plain-clothed travelers and business-dressed sales reps. Most of them were young men with white dress shirts and black slacks, and there were a couple young ladies in sexy black mini-skirts. There was always something a little off about Chinese dress clothes, which were almost always in the typical Western style. They were cheap-looking with frilly style accents like a fanciful extra button or a diagonal seam running across a pant leg. I surveyed the scene of that waiting room in an instant and groaned about what I feared was coming. Not a sales pitch, it’s Friday night, let’s just get on the road. I had sat through a sales pitch a few weeks before, when on a tour group through the famous Yellow Mountain, but that was only for tea, so the ladies walked around with samples (some of them quite good) and I and the two students who accompanied me just slumped in our seats and drifted to sleep until the 30-minute meeting was over.

Sleeping, the unanswerable objection to any sales pitch.

Sleeping, the unanswerable objection to any sales pitch.

At the travel office, they didn’t pitch anything to us. Not yet. They led us down the hall to another room for some reason I wasn’t privy to, then a minute later we were back into the elevator that looked like it had been stripped for parts, then onto the bus. All the young people in business dress accompanied us tourists on board, a ratio of one company rep to two tourists. It hadn’t yet dawned on me why we would possibly need so many hired hands to accompany us on a weekend getaway. Cheap Chinese labor costs, I guessed.

Our group, 30 to 40 large, piled into our seats and snacked as we gabbed and watched a movie on the overhead screens. (One thing about China: no business or public transportation system attempted to forbid outside food or drink. People chewed seeds and spit the shells out, noisily tore through plastic to get to eggs, noodles, or pickled meats, and they littered on the ground whenever they didn’t have a waste bag convenient, which was often in the lacking infrastructure of China. In China, trash is what you make it.) To my relief, Aunt Fong suggested we move out of our restricting seats so I could stretch out my long legs in the back row. Once there, the young company employees seated in the back area turned around out of curiosity and struck up an excited conversation with this charming middle-aged woman and her foreign friend. The young men asked me the usual questions, but their English was decent enough, plus the excitement of the trip spurned them on, so they tried more than I used to to have a good back-and-forth talk with me.

Then, unprovoked by anyone, one of the two young ladies working for the company, sitting near the back row, turned around in her seat and blurted in Chinese that she thought I was handsome and wanted to know if I had a girlfriend. This girl was very easy on the eyes, and for a moment I thought my luck in China might have changed. I had no idea how I would functionally communicate with her, but during that bus ride she conveyed that there was a water park back in Aunt Fong’s home city that we could go to together. I was left to think over her advances as I uncomfortably shifted on the back row of seats, letting my feet hang down in the aisle until it bothered my back, then lying flat across the seats until it hurt my neck. Through the quiet hours of the night, I phased in and out of semi-consciousness until our bus slowed to a lurch and released its air brakes outside the hotel.

The time was right before sunrise on Saturday morning, and we had a couple hours until the company reps would come knock on our door to make way to our first destination. Aunt Fong was exhausted, but I was restless after the poor sleep, so I left her to snooze in our hotel room while I went out for a run. Our hotel was situated at the top of a steep hill, overlooking a shabby amusement park, garden area, and groups of hotels lining the valley along the river. As I explored, I observed how unusually clean and empty the streets were, how new the buildings looked, how planned and color-coordinated they seemed, and how many trees were planted along the broad sidewalks. Every other Chinese city I had been to was clamoring with people, scooters, cars, and animals by sun-up. This place was practically deserted by those standards, and judging by appearances it resembled a seaside American vacation spot- the skies were even (mostly) blue!

I came back to the hotel room, had to rouse poor Aunt Fong awake from her brief snooze, and set out with her and a company rep closely at our heels, who hurriedly insisted that he carry our bags for us. After driving through the town for a half-hour and listening to the other female representative clamor into a microphone (“SHA-SHA-SHEY-BAR-BAH-SHEE-BAH-BAI-SHA-SHEE-SHOO-SHOW-JI-KWAI-BAI-BAR-SHU-SHA-SHA-SHOW!”), presumably to build everyone’s excitement for the trip (and that must be one of the most awful sounds I have ever been subjected to– shrill Chinese barked over a scratchy speaker system), the bus pulled over and our group was ushered off to see our first site.

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An overwhelming crowd of tourists, each shadowed by a young company rep, milled around at the gate below a mountain whereon was nestled a very large, seated Buddha statue. The company escort assigned to my aunt and me (the same man who came to her apartment and signed us up), started to become obnoxious, walking step by step beside us and forwardly offering to take our picture at the gate. It still hadn’t dawned on me why there were so many travel company employees accompanying the tourists on the trip, why there could possibly be a need for one rep for every two tourists. I figured we could take our own pictures. Chinese crowds might be exceptionally callous, but there were always a few friendly volunteers to help hold a camera. Like most things I didn’t understand about China, I chalked this nonsense up to the way people there did things.

I wasn’t the least bit interested or impressed with the mountain’s idol, so after observing it momentarily I went back to milling about aimlessly, like all the other tourists, for the next 30 minutes. 30 minutes of pacing around a blank plaza and parking lot. Okay, there were a couple gates with some frilly ornamental carving and Chinese characters on them, like there are gates in front of every other place in China, but other than that there was nothing to do there. Eventually, everyone made it back to the bus and we continued on through the town. That was a letdown, I thought, this beach had better be impressive.

It wasn’t. It was populated with swimmers and loungers- some in tight one-piece swimsuits, some in bizarre, bright orange, Chinese beachwear- but my group was only there to walk along the broad concrete barrier that served as a lookout point. It was also a station for another dopey statue, this one a crescent moon with a face. The company rep took our picture again (what a burn that is to yield to a courtesy you don’t wish for), then Aunt Fong and I walked down to spend a moment on the beach. I was less than overjoyed at that point. One, the setting didn’t seem all that great- spending a half-hour each at a simple beach and the base of a small mountain was nowhere near worth a 10-hour bus ride. And two, the vigor I felt earlier during my morning jog had fast dissipated. I struggled to put on a happy face and pose on the beach as Aunt Fong took my picture, and as we marched back to the bus I felt my familiar stomach pain returning.

Note the breathing mask, parasol, and bright orange purse and shoes, de rigueur for the young Chinese lady at that time.

Note the breathing mask, parasol, and bright orange purse and shoes, de rigueur for the young Chinese lady at that time.

China's version of McDonald's Mac Tonight "Moon Man" character from the '80's?

China’s version of McDonald’s Mac Tonight “Moon Man” character from the ’80’s?

They took us to a restaurant, where we filed through the kitchen and up two flights of very narrow stairs, then into a dining room that struggled to contain four large, round tables and enough chairs to fit most everyone on the bus. (Walking through the kitchen, or inside then outside then inside, or past a utility room or a small bedroom, or even walking past the pens of the sheep you were about to eat, was not uncommon in small, family-owned restaurants.) I grimaced at the sight of the food set before us. Except for the mantou (steamed buns), most everything had the familiar reddish-orange tint of overly spiced, oily food.

At that point, my stomach pain and appetite were about even, so I tentatively choked down some food, which seemed foolish because the unsavory food was the primary culprit causing my recurring stomach pain in China. Consider though, I had no alternative food source than what was set in front of me. China does not have prevalent convenience stores in most areas, and the snack shops they do have are not very accommodating to Western palettes (more spiced meats and tofu, and instant ramen noodles). So, to feed my natural hunger and try and maintain strength, I would usually stick with the safest options, like noodles and soup, and avoid irritating dishes containing chili peppers.

My eating strategy was no help. Back on the bus I lay down and shut my eyes, resting the back of my hand across my face for relief. I didn’t care where our tour group went to next; I only wanted a long bus ride so I could take a nap. But then- !

The bus began sloshing one way then another, slowly bouncing up and down as it crawled forward. What is this? I sat up, angered and annoyed, and looked out the window. We were at a construction site. The bus driver was navigating over potholes on a dirt service road. I thought for sure he was either lost or incompetent, having chosen a stupid place to make a U-turn, but after five minutes of abuse by shocks, winding past hollow concrete structures, the driver parked in a row behind two or three other buses and the company reps made a commotion to hustle us off right away.

Hollow apartment buildings outside and the tension of a hot bus inside, the darkness descends.

Hollow apartment buildings outside and the tension of a hot bus inside, the darkness descends.

In a daze of sleep and sickness, I asked myself what the rush was, why we needed to see the end of this construction lot, and again “What was wrong with these people?” Then, out in the bright summer light, I surveyed the apartment buildings under construction and heard the blare of loud dance music, drums, and a girl’s voice screaming over the large PA system inside the ranch-style building in front of us. Then, I watched as the bus driver locked the door and walked off with his wife to find a napping spot. I swallowed hard.

They had stranded us for a timeshare pitch.

The multi-colored streamers, loud sounds, and legions of sales reps were intended to excite us, but I could not have felt more dread. Facts of life, transferred from American to Chinese terms, usually turned out louder, smellier, dirtier, much more populated, and just plain miserable. We faced the nefarious timeshare pitch, but not in comparatively tame America- in China. What horrors did our captors have planned for us?

As I drug my feet down the salesmen-lined walkway leading into the building, I glowered at their broad, crocodilian smiles and glib welcome cheers. Aunt Fong was tugging at my arm, pleading, “Don’t angry. Don’t angry.” I was too far out of my senses to know what to do other than resent having to spend part of my afternoon inside their sales office. If I had my health, I would have followed my plan of exploring the construction site and the surrounding town on foot. I strongly considered this option later on, as our annoying sales rep followed me out to the open lot where they liked to show their marks the site of the next proposed apartment building. Sadly, I could feel I didn’t have the strength to walk off. My body was quivering and I thought I might need to use the sales office’s nearby toilets, however filthy, at any moment.

Could I just walk off and explore?

Could I just walk off and explore?

Reasoning with myself (the desperate recourse of a man stuck in a hopeless situation), I suspected that my aunt and I would be held for an hour and then, after our repeated refusals, they would have to let us go. After an hour, all the tourists will have said yes or several times said no, so that will be all, right? I was underestimating the depth of indecency within the timeshare salesmen of what must surely be the country with the greatest impropriety in the Orient, if not the whole of Asia.

Continued in Part 2.

Mantis vs. Chinese

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(Continued from Plumbing and Blocks: A Metaphor for Language)
(Part 2/4: The Basics of the Chinese Language)
(Part 1/4: Why I Stopped Learning Chinese)

Why I Stopped Learning Chinese

In college, I had a Chinese professor, teaching a course on China, who boasted that Chinese has the easiest grammar of any language, and if anyone could write a paper identifying a language to demonstrate otherwise, he would give that student an A for the semester. Well, after living among the Chinese and hearing their language daily, also hearing their incessant boasts about how ancient and great their civilization was, how everything was first invented, done, or developed in China (even pizza, preposterously, of all things), and after losing patience with the Chinese way of life, I will offer some hyperbole of my own: Chinese is the worst language I have ever heard. Just the same as there might be some language spoken by a tribe in Papua New Guinea that linguists could contend might have simpler grammar than Chinese, there might be a language on this earth that sounds worse than Chinese, but my ears have not discovered it.

Now “heard” implies listening to spoken Chinese, and listening and speaking are only half of the major divisions of language (the other two dimensions being reading and writing). Based on what I have written already, I will leave it to the reader to imagine how inefficient and tedious it is, not to mention culturally exclusive, to use the Chinese writing system.

Those artful symbols seem so impressive until one tries to use them for all of life’s daily reading and writing purposes. Then, constantly stumped by the appearance of new words and having no idea how to pronounce them, and wishing that words could just be spelled out with a pen or keyboard instead of having to make an artful or sloppy piece of calligraphy with a regimented writing method, it dawns on the newcomer: using pictographic and ideographic symbols for all of a written language isn’t such a good idea.

English words may be irregular and their phonics flawed, but they work efficiently and they are very flexible and adaptable. There is a reason computer keyboards the world over use Roman letters, and it is not because an Englishman has possession of their patent. It is because those letters were developed through the millennia of several civilizations, and the result is language units proved by the furnace of culture and time. They work- very well.

Yes, Chinese writing also works (any extant written language can be said to work- people use it, don’t they?), but I would argue not nearly as well. The Koreans and Japanese, who developed their written languages from Chinese, both saw the need to break the written characters down and create alphabets out of them. The Chinese, who take inordinate pride in their history and tradition, have never seen the need to do likewise. Pinyin transliteration is the closest they have come to compromising with reasonability.

When using a word from a foreign language, something Chinese is hamstrung from doing, but something I think English does exceptionally well (English speakers, think of all the foreign words you know from languages like Spanish and Japanese, and all the French phrases you recognize- now, do you speak those languages?), Chinese has to use its existing characters and sound the word out- poorly. Remember, their smallest language unit is the word, not the letter.

Example: my home state, Iowa, in Chinese pinyin combines three unrelated words to form “Ài-hé-huá.” Those three words are literally “love,” “lotus,” and the adjective for “Chinese” or “Han” culture. So, basically the combination is gibberish, and a Chinese has to have familiarity with these quasi-phonetic combinations to know that the words are not lost but are pitifully trying to indicate a place name. In America, place names popularly use words from Native American languages, and Roman letters do a better than decent job of retaining the sound of the original language, though it takes an awful lot of k’s, vowels, and sign space to do so.

The written Chinese characters are what beguile foreign eyes and entice them to think Chinese must be such an exotic and esoteric language, but that is not the case. Once the alluring bait is taken, the sucker realizes the truth- that the incredible visual symbols are masking childishly simple words that mostly sound like “cheese” and “seizure.” I am almost serious. Chinese has so many sounds similar to “sh-” and “ch-” and “j-” that learning their language made me think I was in a speech therapy class meant to manage the way I pushed air through my teeth.

On the topic of the spoken word, I have to admit I am not much of an authority. I never heard Chinese spoken. I heard it barked, shouted, growled, blurted, hissed, sputtered, ejected, muttered, whined, scolded, chided, coughed, screeched, yelled, howled, whispered through closed lips, called out impatiently by a screeching woman, sung in a thin, tinny falsetto voice, and histrionically recited by a man for an audience, but I never heard it spoken. If one’s only exposure to spoken Chinese is a foreign film, it goes without saying that those actors were speaking stylized lines clearly enough for the boom microphone to pick them up. If one has heard the clamor of a kitchen in a Chinese restaurant, that is more like what I am referring to.

It is not the people’s fault that the language comes out so rushed, so clipped- that is the natural tendency when speaking the short, friction-filled sounds of Chinese. If the context ever demands enunciation, like in the narration of television commercials, and spoken Chinese is put on display, then the resulting sound is absurd and buffoonish. I expected viewers to crack up at the overdone, pompous voices on television- the voices having to fall up and down and flit erratically like a dollar bill in the wind in order to precisely hit the jarring tone changes between every Chinese syllable- but my Chinese friends’ faces were unflinching. They could not hear the ridiculousness of the language because they were native to it and the sounds could not be heard, only their meaning.

Those clownish Chinese voices were artificial, not representative of the voices I suffered in my daily experience. Those voices spat out the harsh, static sounds of the language that made me wince. Even though I had attained a base level of Chinese that would have allowed me to speak to shopkeepers and ask for directions, had I felt brave, I almost always avoided opening my mouth to get the locals’ attention. I didn’t want to be shouted at in return. When I took a taxi and had to communicate, I would mutely hand the driver a slip of paper with my destination written on it. Sometimes that wasn’t enough. The driver would badger me and try to get more money out of me, and I would testily mutter in Chinese, “I don’t understand. I don’t understand…” over and over until the driver would give up in frustration of I did and exited the cab.

It was a surprising contrast to my experiences traveling in Thailand and speaking to the rare Thai person met in America. In those cases, I was giddy to try out what few phrases I knew, and I was pleasantly satisfied when the happy stranger would smile and pleasantly reply to me in a clean voice. Most of the Thai people I have attempted to speak to really were friendly and accommodating, and the experience showed me how common humanity could bridge the gulf of culture and language.

In China, the people did not speak anything like a friendly, clear, accommodating voice. Even when a sweet young lady wanted to say something smilingly polite, the sounds of Chinese are so pinched and abrupt that the message sounded like she had a mouth full of food. I felt no compulsion to talk to the Chinese in their own tongue; I had a distaste for the exercise that bordered on revulsion.

I would put it like this: in English, there are three moods: the indicative mood, for statements and questions; the imperative, for giving commands and advice; and the subjunctive, to express conditional statements or wishes (e.g. “If I were rich, I would buy a new house.”). In Chinese, I observed only one mood: angry. Every interaction was quickly spoken and short-tempered. Several times an English-speaking Chinese student or friend would excuse a violent-sounding scene to me by saying, “Those people sound like they are arguing, but they are just talking” or “She just asked him what time the bus arrives.”

I could sense mild embarrassment in my Chinese apologist, and could not but question to myself when Chinese culture at large was going to take the hint from foreigners’ faces- white(r) with shock- and stop excusing the cacophony inherent in their speaking voices and make heartfelt reforms in their language and the way they spoke it.

I do not need to understand Japanese, by contrast, to pick up on the great politeness and reserve the Japanese speak with. Body language, tone of voice, and the sound of their words reveal it to me. Being around Chinese speakers in the many and various chaotic, crowded, and disgusting settings of a real Chinese city, I was struck by the intensity of volume and spirit the Chinese would begin speaking with in the blink of an eye. I could read in their voices and body language that they were agitated and distressed, at once bound close enough in community that strangers could quickly strike up a conversation as if they were a married couple resuming a paused feud, and distant enough that no one received strangers with a kind smile, a slowly spoken reply, and a gentle nod of the head. If felt as if the whole country was composed of stock brokers, always chattering and shouting- never speaking- and shoving each other to get to the front of whichever line they were in.

It dawned on me then, that I found no innate appeal in the Chinese language. The visuals of the written characters had worn thin and let me down, and I could not bring myself to adopt the people’s hot, quarrelsome way of speaking. I have often heard other languages spoken and found much beauty and appeal in them. Hearing the acrobatic lisps of Spanish speakers, the fluid friction of German, or the low, flowing syllables of Japanese attracts me and makes me curious about the depths their language conceals. I find I have a thirst to know their treasures of language and culture.

In China, I heard what seemed like endless boasting about their civilization, but after living in the real conditions of China, submerged in the torrent of choppy spoken sounds, I lost interest in their culture. I knew it was all a sham. The Chinese can school me in Confucian social order and harmony when their drivers learn to yield to traffic lights and pedestrians, when their people learn to form a line at the cafeteria, the train station, or of all places a national monument or museum, like the one dedicated to the Nanking Massacre, where all solemnity was broken during my visit by the mass of inconsiderate boors who would barge in with their elbows and stand to take pictures in front of others.

I realized this epiphany in real-life experience: language and culture are so intricately connected that it can be said language is culture. It was no accident that people who yelled at each other as a matter of course also honked their car horns nonstop at each other, pushed each other in all public places, and showed no shyness when spitting or having their children defecate in front of each other. Chinese culture had me disgusted, and its language had done little better. I wanted a part of neither.

Language, if one does not speak it, is an incredibly vast and deep system, seemingly impossible to conform one’s mind to. If one does speak the language, it is nothing at all. It takes no special effort for me to think in English. Learning Chinese though, or any other foreign language, would require great effort and that I took the time to live in Chinese-speaking society. Learning a foreign language then is a great compliment. The learner is declaring that this language and culture is worth his time, so much so that he is willing to make it a singular pursuit. The end goal is participation in a new culture and society. Again, it is nothing for me to visit a local restaurant, peruse the menu, and place my order, but for a foreigner dreaming the American dream, this is an impressive feat and a big step towards integration.

Integration became the furthest thing from my mind in China. I wanted relief; I wanted to leave. As the second semester waned, my Chinese studies all but completely ceased. I would still talk to Aunt Fong in Chinese, but I bitterly left my Chinese workbooks to gather dust. I did not want to be part of Chinese society. I did not want to remain in their country. Those are the real motivations for learning Chinese. Not wanting to remain in China, I no longer had those goals. Therefore, I stopped learning Chinese.

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A Lesson and a Concession

Going through the effort to learn Chinese, and especially the exercise of thinking about language, has made me think differently than the common views on language. My perspective is this: when I hear someone explain a feature of a foreign language, I do not treat it like a rule, I treat it like a proposal. So, for example, when someone shows me that the written character for the Chinese singular pronoun “I” or “me”: 我, takes seven marks of the pen, I do not stroke my chin and say, “How interesting. Your writing system must contain much meaning within these complex symbols.” No, I open my eyes widely in a bewildered stare and ask, “Are you serious? Do you realize how tedious and time-consuming that will be to spend seven strokes on such a basic word? Not to mention, you’re going to have to design these abstract symbols of yours for every single word– every concept, function, feeling, action, and object.

‘Your stick figure makes sense for the word ‘man’ (人), but how do you propose to make an iconic representation for a word like ‘discontent’? No, stop. Don’t draw your symbol for me. Inventing it is the easy part. How do you propose you will teach every literate person in your society how to read and write each of your thousands of symbols? Your schools will be little more than factories where robotic children are forced to learn by rote to such an extent that they will lose all aptitude for critical thinking or creativity. But if that is what you want, carry on with the symbol making.”

And again, “You are proposing to make every word a one-syllable sound? And because your language units come as simple, solid words, you are going to do away with an alphabet altogether? No, no, no, that will never work. Think of what will happen when you try and introduce a new sound, when you need a new word to describe a new thing, or to incorporate a foreign word. How will you do it? How will you pass along to everyone the pronunciation of the new word? Your language units are already fixed, and there are no phonics or other universal standards of word sounds, so how will you solve the problem of making new words? You say all new words will be compound words? And foreign words can be approximately sounded out with your existing word sounds? Well, that sounds like an awfully broad use of the word ‘approximately.’ Listening to you say ‘Washington’ (Hua-sheng-dun) sounds like a man speaking with a frozen jaw.

“But your compound words idea- are you forgetting that using only single-syllable sounds is already going to force you to overlap and border similar sounds to the point that you will have to rely on those awkward, ugly tones to differentiate between the sounds? Even then, many of the words will still have the exact same sound and tone. There are more things in heaven and earth, Hu Rui-Xiao, than are dreamt of in your language units. Your words and sounds are far too limited. Combining your monosyllables into compound words might be a solution to the problem of making new words, but it only compounds the original problem of having too many words with similar sounds or the exact same sounds. It’s indistinguishable.

“Imagine this scenario: you are on the phone with your friend and you ask about the ‘ma’ vehicle. It’s spoken over the phone, and it’s in Chinese, so your words are doubly indistinct.

“Your friend asks you, ‘DID YOU SAY “MAHN” (慢)? YOU WANT THE “SLOW” VEHICLE?’

“You impatiently correct him, ‘NO, CAN’T YOU HEAR? I SAID “MA,” NOT “MAHN.”’

“He then rightly defends himself, ‘BUT THE TWO SOUND IDENTICAL. BOTH ARE SPOKEN QUICKLY AND THE VOWEL ISN’T FULLY FORMED, SO “MAHN” SOUNDS JUST LIKE “MA.” IT IS ONLY THE DIFFERENCE OF ABRUPTLY CEASING THE SOUND WITH AN OPEN MOUTH VERSUS LIGHTLY AND IMPERCEPTIBLY TOUCHING THE TONGUE TO THE ROOF OF THE MOUTH, CUTTING THE FULL SOUND OF THE WORD SHORT.’

“You proceed, ‘LOOK, I DIDN’T CALL YOU TO ARGUE ABOUT HOW UNCLEAR OUR LANGUAGE IS, I JUST CALLED TO ASK ABOUT THE “MA” VEHICLE.’

“Your friend again says, ‘DID YOU SAY “MA” (马) AS IN THE BEAST OF BURDEN WITH LONG LEGS AND A FAST GALLOP, OR DID YOU SAY “MA” (妈) AS IN A WOMAN WHO BEARS CHILDREN AND RAISES THEM?’

“Fed up with the runaround, you repeat yourself, ‘I SAID “MA”!’

“Your friend, no less confused, replies, ‘I STILL CAN’T UNDERSTAND YOU. I WOULD ASK YOU TO SPELL IT OUT- “D” AS IN “DOG,” “B” AS IN “BOY”- BUT WE DON’T HAVE AN ALPHABET. HOW DO WE EVER EXCHANGE EMAIL ADDRESSES WITH ONE ANOTHER?’

“You, by this point screaming, not just loud-talking, repeat again, ‘I SAID “MA”!’

“Your friend will say, ‘STOP SHOUTING!’

“And you will say, ‘I’M NOT SHOUTING! I’M ONLY SPEAKING CHINESE TO YOU. BRING THE “MA” VEHICLE!’

“Your friend finally compromises, ‘I’LL JUST ATTACH THE HORSE TRAILER TO YOUR MOTHER’S CAR AND DRIVE THEM BOTH OVER TO YOU.’

“Now, my friend, is this the kind of interaction you want to set yourself up for? Then please, be reasonable and develop some phonics, an alphabet, and a wider range of sounds. It will require that you make something new, that you innovate rather than repeating and venerating the works of the past. So, I will leave it to you, my Chinese friend, to move toward the path of sensible innovation or remain where you are in the haphazard slough of fixed civilization. I know which option you should pursue, but I fear which one you will stubbornly hold onto.”

I may sound exceptionally jaded to the Chinese language and its culture, but my dissatisfaction is in due proportion to the height of my expectations and the depth of my real disappointment. I had so much hope and time invested in Chinese, and what was the result of my labors? I could use a spare Chinese word or phrase in a discussion with a bilingual friend, but hearing and seeing the Chinese language in public had become too wearisome.

I did not care to cross over with both feet and become familiar with a language that rushed out in such hostile and harsh sounds. I did not want to talk to someone using a voice like that, and I felt no personal trust with a person who spoke to me like that. We would sound like two dogs fighting over a bone, and any fluent onlookers would have to interpret for foreign ears that we were just commenting on how lovely the weather was going to be for our upcoming holiday.

At least, if I had learned a language like Russian, I would have sounded nefarious and arch. People would hear me and either think I was scheming something or lamenting my woeful place in this world. Almost any other language, and people would say what a charming and alluring accent I had. Speaking Chinese is seductive to no one. When Chinese speakers use English, the Mandarin speakers speak ploddingly, breathily, but with not much of a flavorful accent, and the Cantonese speakers, who have nine standard tones in their language, sound like banjo strings being plucked, tightened, and unwound.

And as far as I know, no Chinese words or idioms have proven themselves worthy to use in English, other than food names (e.g. “bok choy” or “chow mein”), and the simplified phrases “Chop, chop” and “Long time, no see” (this is a common Chinese saying, but it is not for certain that the English phrase came from the Chinese parallel).

Contrast that with French, a language whose artful phrases seem tailor-made for flourishes in English sentences. It sounds so much more sophisticated to say “C’est la vie” instead of our plain “That’s life.” The only advantageous Chinese words I have found are their numbers (credit for this insight is owed to Malcolm Gladwell, in his book Outliers: The Story of Success). Chinese numbers are pronounced quicker than English numbers, so they are easier to speak and remember, and there are no irregular numbers like “eleven.” In Chinese, that would be “ten-one.”

After my studies and my time in China, I was left with a smattering of simple, practical knowledge of a language that I did not want to use in its homeland, and which is mostly useless to me in America, where Chinese is a lingua franca to no one, and where the first and second generation Chinese immigrants can either speak English to outsiders, or if incompetent, can keep up a cold, distant front with those outside their group. I am not denying that Chinese people can be friendly or work and speak with others. I am not interpreting language fluency as friendliness. I am saying that in my experience with foreign immigrants and visitors, I have found it easy to talk with the Japanese and Thais, for example, but difficult to approach the Chinese, get on their wavelength, and establish trust.

When I spoke Thai to the Thais or talked about Japan to the Japanese, they smiled and talked back, but when I have gone against my better intuition and dared to speak Chinese to the Chinese in America, they mostly seemed shocked or uncomfortable with it, uninterested in talking to me. That is in America though. In China, there were times when my white face attracted a crowd, and many Chinese students eagerly peppered me with cheerful questions.

I do not feel vengeful toward China and its people, mostly I feel disappointment and exasperation which I issue in the form of real observation and rebuke. If the Chinese were humble about their language, if they disfavored boasting about their country and culture, I would see no need to be critical. I have no quarrel with the bashful, modest languages of the world, however absurd and unwieldy they may be. My problem is with pride and pretense, especially when it is undeserved. A language that sounds like ice dropped into a deep fryer should be more embarrassed of itself. Instead it proclaims itself and pretends it is unknowable, not able to be understood by outsiders. No, the problem with China is when it is seen and known, when it is exposed to outsiders and they are able to comment on it.

Lastly, my concession, which is only necessary. I have made quite a few censorious remarks on the Chinese language. I need to remember my place and keep things in perspective. St. Paul, in 1 Corinthians 14, wrote that “Even things without life, whether flute or harp, when they make a sound, unless they make a distinction in the sounds, how will it be known what is piped or played?” At this point, the pride and vanity of my flesh smile and say, “No distinction in the sounds? Surely he must be talking about Chinese.”

But then I am corrected by Scripture, later in the same chapter: “There are, it may be, so many kinds of languages in the world, and none of them is without significance.” There I am shown, there my whole argument is tempered: Chinese is not without significance. It still has great beauty and use among a great number of people. I found it unpalatable, and I have my reasons for disliking its modern form and practice, but these are after all entirely subjective opinions.

My problem is not really about the essence of a language, but the way it is rudely and irrationally practiced today.

I am one displeased individual who must remember that Chinese has its significance and purpose apart from me. I do not care to speak it or study it, but it is still worth speaking and studying in itself. I will leave it to those at peace with Chinese culture to do so.

I still love China.

I still love China.

Plumbing and Blocks: A Metaphor for Language

(Continued from “The Basics of the Chinese Language.”)

(Part One: “Why I Stopped Learning Chinese.”)

(Note: my references throughout are to Mandarin Chinese, or the standard dialect of Chinese which I learned and was exposed to. Cantonese and other major dialects I did not live with nor learn.)

From Part 2: For those more familiar with Chinese, please forgive me where I have been imprecise or ignorant. And for those unfamiliar, I hope I have provided you with some insight and a feel for my experience with Chinese, which is admittedly very limited. Before I get into my complaint on the Chinese language, I would now like to offer a personal observation, an analogy for Chinese and English that is entirely subjective but I think an accurate and easy way to understand the essential difference between the two languages.

Plumbing and Blocks

SAM_2653_2

English is like plumbing. The thousands of words English has accumulated from other languages like the many pieces and parts stored in the bins of an old plumber’s workshop. An old hand can look at a problem and assemble a solution any number of ways using parts and pieces from different language bins. A simple problem- choosing the right word to complete a sentence- is like a simple repair of a leaking faucet. If the leak was caused by a hairline crack in the pipes, the plumber could plug or patch the leak for a quick fix, or replace the section of pipe altogether. In the same way, English words can be substituted with any of our language’s many synonyms, or the select word can be removed altogether and replaced with another. If the entire sentence is corroded, then the plumber needs to get to work, tinkering and replacing all the seals, pipes, washers, valves, screws, and nuts, i.e. the verb tense, the mood, the word choices, the tone, the syntax, the use of the right nouns, and adjectives that fit just right. Everything must fit together and allow the flow of water- in this metaphor, meaning- without leaks breaking out between pipe connections- i.e. word combinations- that do not fit each other. It is all complex and intricate. Word choices must fit the job, and all words must agree with the verb tenses and flow together towards the sentence’s intended meaning.

For illustration, let us suppose that I want to communicate and describe my upset stomach. Think of all the words and phrases at my disposal. My workshop is filled with shelves of plumbing parts to choose from. My mental plumber can select words originating from several different source languages or put together common English words to form phrases. I could simply plug the leak, saying, “I’m sick.” That will do, but the problem could be better addressed. I could alternatively say, “I’m ill” or “I’m feeling ill.” These sentences say the same thing, but when choosing between words the difference is that between using basic PVC plastic piping, that will work for basic applications but cannot handle high water temperatures, and using copper pipes that are stronger and better able to fortify the flow of meaning. In plumbing, it is water pressure, water temperature, and the location of pipes that determines the material- metal or plastic- to be used for the job. In English, the considerations for word choice are eloquence, context, and meaning.

In this illustration, eloquence is not necessary, yet word choice can still improve my chances of having my specific meaning understood the way choosing the right size washer or O-ring will ensure my pipe fittings do not leak. “I feel bad,” needs to be narrowed down. What is the problem? “My stomach hurts” will work. That efficient sentence is simple yet specific enough to communicate the intended meaning. But again, plumbing can be complex and so can sentence-making- choosing the right words and assembling them to fit the problem. “My stomach is upset” or “It hurts” will not inform my listener what kind of cure I need. I could add another sentence and build a longer connection of pipes. “I think I ate something bad.” Or “I ate something that disagreed with me.” There is a descriptive personification! I never knew food to be opinionated, but I intuitively understand the sense meant by saying that it “disagreed with my stomach.” If I want to attempt a diagnosis, I could say, “I think…” or “Maybe…” to venture a guess, or if I feel certain I could say without introduction, “It is food poisoning.” Think of all the options! So many different word choices and sentences for the same problem. English has shelves and shelves of subtly differing parts which can be sorted through and assembled together.

One could choose the bin labeled “Medical Words” and dig through and choose a word like “diarrhea” if that were my stomach’s problem. Then, the word chosen is from Greek, meaning “flowing through” (speaking of plumbing), and used medically in English it carries the meaning of all the associated symptoms, causes, and cures. Perhaps it is another medical problem with my stomach, so I face a different set of options. I can say, “It’s acid indigestion,” or using Greek again, “It’s pyrosis,” or more colloquially, “It’s heartburn.” So many options for so many things, and an abundance of words to build from.

Lastly, I could select words based on formality, feel, and context. “I’m sick” works simply, with anyone, but “My tummy hurts” is how a child attracts the attention and affection of her mother. If I am concerned with the feel of my words, their connotation, I can swap my source language box. I could go to the “Latin” box of plumbing parts (a very large box in English’s workshop) and pick out “nauseous.” (Note that the Latin “nausea” is in turn based on a Greek word, and English words commonly trace their ancestry back through more than one source language, so in this respect the analogy of boxes of plumbing parts breaks down. Perhaps parts that originated from one language box were sorted in with another?) “Nauseous” is such a strong, multi-syllable word. Very Latin. It has much more dignity than “sick,” in case I need to dress up my sickness for a discriminating audience. I wouldn’t want a dinner party, for the sake of my humorous example, to have to think about the unclean processes of the human body.

And if I’m really sick, I could exclaim/announce/shout/expel/interject/or cry out, “I’m going to throw up!” or “I’m gonna hurl!” or “I’m about to puke!” or “I think I’m ready to vomit!” or “spew” or any number of vulgar, colloquial, or slang terms. English goes on and on. In my experience of Chinese (language, culture, and people) the same standard words, phrases, and expressions were pretty much universally used by everyone in a rote way. It was not a normal thing for me to hear someone put their individual spin on a common saying.

Switching between source languages (in English, usually French, Latin, Greek, or Old English and Germanic) for descriptive words works just like changing a single valve or pipe in a plumbing system. I could say “daily” using a common English word, or I could say “every day” and make a phrase out of two simple pieces, or combine them into “everyday” and make a word with a subtly different meaning. Or, I could resort to Latin and seem sophisticated by using “quotidian.” Maybe the context requires the flair of French, and I say, du jour. Or, I might want to make a philosophical point about the common experience of daily life, so I go back to the “Latin” box and cull up “mundane.” Think of all the possibilities that can be fit together as an ad hoc (Latin again) solution for the sentence and context at hand. Daily allowance = “per diem.” I live life “day by day” or “one day at a time.”

It is a wonder how anyone can stay above water in the overflow of word choices that is the English language. But as the old plumber knows from experience just about where to look in his crowded, cluttered workplace to find the part he is thinking of, so does the English-speaking brain know which set of words to choose from. In this respect, English is not all that different from Chinese or any other language, but the number of words and word bins to choose from is much more abundant, overflowing, multitudinous, ample, bounteous, copious, profuse, populous, numerous, voluminous, and perhaps superfluous.

What is most like plumbing in English is word agreement and flow, the necessity that all the parts of a sentence are fit together properly and that they support the flow of meaning in one direction, just like a plumbing system must fit together properly and support water flow in one direction. Incongruent word choice is like ill-fitting pipes; they disturb the mind like drips from a leak. If a small child said, “Mommy, my tummy is nauseous,” one would assume the child was either precocious or trying out a newly learned vocabulary word. In the same way all the words in a sentence must work together, and the sentence must fit the style and tone of the context.

Most critically, to English and plumbing, the flow of the sentence must be consistent and in one direction. If I incorrectly used a verb tense and said, “I is going to the store now,” then my sentence has sprung a leak. My sentence still carries water- the meaning comes across, but there is a leak of verb confusion. A major meaning flow problem would be like saying, “I have been to go to the store tomorrow.” A listener has no idea what time frame this action is meant to take place, the same as a poorly assembled plumbing system could send water flowing in conflicting directions or into dead ends, with the result of burst pipes and major water leak.

This analogy could be expanded to cover even more aspects of English, but I have already written more than enough to make my point convincing: English is like plumbing.

chinese blocks

Chinese, now, is like blocks, the colorful wooden cubes that small children play with. If the reader can excuse the unintended condescension of the analogy, I will explain. Those six-sided playthings are one simple, solid object that has different images painted on each side. Each of the six sides has four edges and can be rotated to face one of four ways. The blocks can be arranged individually and then in combination with other blocks any way the child wants them. This is very Chinese.

In Chinese, words are very simple, having one syllable with the usual pattern of one consonant followed by one vowel, but by altering the tone of the word- rotating the block onto one of its four edges- the face of the block appears differently. It is still the same block face, the same consonant and vowel, but that adjustment in orientation (tone) makes it a different word. Also, as each block has six sides which would have to be examined and handled many times before the whole surface of the block was exactly remembered in the mind’s eye, so the written words of Chinese must be examined and handled- broken down according to root characters and brush strokes, then written out countless times- until that visual memory is unshakably implanted in the brain.

Most pertinent to this analogy, imagine a child (or adult) setting up some blocks any way he wanted on a shelf, metaphorically building a sentence, then objecting strongly when someone else- a foreign language learner- tried to do the same. It would be baffling. The foreigner would question the idea that the blocks really could be arranged in any order, the way Chinese can combine so many words together and is alleged to have no grammar (I have heard this boastful “no grammar” claim before, but I will leave it to a boring linguist to deconstruct it). The foreigner would object, “But I did it just like you!” The native speaker would know though. He had trained his eyes to catch even the slightest difference in the arrangement of his blocks. “There is no grammar,” but the Chinese know which words go together, and though they often cannot explain it, they can perceive when their words aren’t used just right.

In my pronunciation practice with Uncle Jiang and others, I felt like I was setting up my blocks on a display shelf for their scrutiny, and they would huffily say, “No!” and then rearrange my blocks- my pronunciation- by sliding a block over with their finger just a hair. I am a native English speaker, so I thought, “What’s the difference? I speak my words approximately the same as they do.” But no, they could tell. My pronunciation of Chinese tones, which might have sounded identical or close enough to me, could be found outrageous by them. Chinese grammar has no rules save the capricious feelings of its native users, like the whimsy of a child’s arrangement of his toys, and Chinese pronunciation is just as subtle as that of a child who insists his toys must be exactly arranged.

Also note: blocks do not connect. Pipes must connect by being inserted together, being arranged in a system having the right shapes and distances and gravitational flow. But blocks can be stacked or set side by side in any arrangement; there are no joints or threads with which to connect one block to another. Words in Chinese come whole; there is no conjugation of verbs or modification of nouns and adjectives to connect them to another word. Chinese does not have “go, to go, am going, did go, will go, went, gone.” Chinese has “go, go, go.”

Chinese words can simply be set next to each other. One block can easily be swapped out for another equally-sized block and the arrangement will hold, so long as it is a native speaker who knows how to delicately arrange the clumsy objects. If you don’t have the touch, your hearers will soon be calling out “Jenga!”

Yes, Chinese is like blocks. Now that I have essayed to demonstrate this and acquainted the reader with the nature of English and Chinese as I very much imperfectly understand them, I can commence my complaint.

To be continued.

The Basics of the Chinese Language

Laoshi Dustin teaches Chinese.

Laoshi Dustin teaches Chinese.

(Continued from “Why I Stopped Learning Chinese”)
(Note: my references throughout are to Mandarin Chinese, or the standard dialect of Chinese which I learned and was exposed to. Cantonese and other major dialects I did not live with nor learn.)

For comparison between the two languages, English and Chinese, let’s look at the word “good.” To do so, I will need to begin a new section which anyone who is already learned in the Chinese language will find tedious and unnecessary. I urge these readers to skip past this post and save me the embarrassment of having my mistaken explanations and generalities corrected.

“Good” is a simple word, easily spelled in English, and to write it one merely has to use the letters he has long been master of: g-o-o-d. In Chinese, the equivalent word is written “好.” This is likewise a simple word in the Chinese writing system, which grades written characters according to their complexity (that is, the number of strokes needed to write a word). In Chinese, a complex character can have upward of twenty strokes. For purposes of reader comprehension only, consider the printed English alphabet, wherein all the letters are written with one or two strokes of the pen, unless one is writing for calligraphic purposes and uses three separate marks to make a letter like “k” or “m.”

The relatively simple Chinese word “好” has six strokes. It is made of two symbols set side by side. “女” (three strokes) which means “woman” and is a pictogram, or pictorial symbol, of a woman grown large with child, and “子” (also three strokes) which means “child” and is a pictogram of a baby wrapped tightly in nursing clothes. Don’t ask how these symbols are supposed to resemble a woman and a baby (I think the “woman” symbol looks like a passable stick figure drawing). It is like the rule of constellations: someone discovers a pattern, he gets the right to name it, it catches on with people, and soon everyone points to the sky and says, “Look, a bear!” when everyone knows full well that the stars look nothing like a bear, major or minor.

Chinese writing today developed out of primitive symbols (not necessarily inferior, just primitive) inscribed onto a hard surface (i.e. bamboo, inscribed with a reed pen, and before that the preserved written artifacts came on bones or tortoise shells). Brush and ink were found to be a better writing method, much quicker, and so the characters began to take on their elegant abstract shapes. With words like “好” we get a glimpse into the Chinese mind. A woman with child is a good thing. Hence the characters for “woman” and “child” form an ideogram (a symbol not of the visual world but the conceptual) for the quintessential representation of good. Not surprising then that China is the most populous country on earth and Han Chinese the largest people group. The character for “home” (家) is a symbol of a roof with an abstract pig underneath, so in ancient China, it was a pig that made a house a home.

Not every written word in Chinese can be broken down to find these charming insights. Not by a long shot. And not many words are simple pictographic symbols, like “木” for tree, “林” for woods, and “森” for forest. The majority are a combination of two or three simple characters: a root to give a hint about the sound or meaning of the word, and an accompanying symbol to distinguish the individual word and perhaps further suggest meaning. As an example, the character for bird is “鸟.” Most every type of bird: chicken, turkey, hawk, pigeon, and so forth, has this character embedded somewhere in its Chinese symbol. In the most basic arrangement, “鸟” is paired side by side with a second, distinguishing symbol to give a hint about the word’s pronunciation or specific meaning. “Chicken,” for example, is written “鸡,” and “duck” is written “鸭.” “Bird” is on the right, indicating the category or type of word (birds), and the distinguishing symbol is on the left. These side by side examples are only one basic form though. The root characters might also be stacked above or below others and contained within other symbols, and very commonly it looks more complex and confusing than the clear side by side examples. Their present-day forms have progressed through stages that have seen the words modified and added to considerably. It takes a lot of deciphering to get at the root of the words and understand their etymology.

So, the memorizing of Chinese characters is aided by mnemonics, but still there is the Herculean task of memorizing the symbols for thousands of individual words if one aspires to achieve an educated level of literacy. Word by word must be written stroke by stroke, over and over again until the stroke order and writing motions are lodged in the brain. If the rote practice of writing characters is abandoned, then how to write them is soon forgotten. The eye still recognizes words when reading them, and the mind has a vague memory of the written symbol, but it is indistinct. Attempting to write the word is useless because Chinese characters must be exactly and intricately drawn. Imagine if writing the word “it” was not a matter of remembering “i” followed by “t,” but memorizing “dot, down stroke, horizontal stroke, downward stroke” in that order. Then imagine memorizing stroke by stroke, first through last, in order, for words with one or two dozen strokes, multiplied by the thousands of words needed to build an educated Chinese written vocabulary.

The popularity of computer keyboards and text messaging has given rise to the modern Chinese observation: “take pen, forget character.” Even Chinese students, who have studied written characters their whole life, struggle to recall how to write certain words, especially when they have ceased writing practice in favor of the keyboard. Our resourceful yet stupid American youths can simply make up their spelling based on text messaging: “r u gone 2 tha gym?” Forgetful Chinese cannot ignorantly staple strokes together because the characters need to be written exactly, or pretty near, standard.

And the students in China strive harder than the pupils in any other language to achieve basic literacy and to acquire a working written vocabulary. Even though the Chinese language has only several thousand written characters in common usage, it takes years to master them all. Each of these characters has to be practiced dozens of times in a writing book before it can be used freely. At the height of my personal studies, I estimated that I could write close to three hundred words off the top of my head, and I recognized at least five hundred by sight- which is not enough to be very helpful in real conversation. I rapidly lost the ability to write mostly all of these words after ceasing regular use. Note: while the written language uses a relatively small number of written characters, these characters are regularly combined in Chinese to form new compound words (example: “How much?” is a two-word combination that is literally “Many-few?”), so the number of words used by a speaker or writer of Chinese, like any language, is practically unquantifiable. It all depends.

But how about typing these symbols on a computer? And how do foreign speakers learn the sounds of the written words if Chinese symbols have no phonics? The answer is a writing system called pinyin, which I mentioned earlier. Pinyin (pronounced in Chinese like “peen-yeen,” spoken through the nose with the tongue held against the roof of the mouth and the open lips fixed in place) uses Roman letters to imitate the sounds of spoken Chinese, only the letters have been loosely adapted and assigned new sounds. For example, “qi” in pinyin Chinese sounds like “chee” spoken quickly through a pinched mouth. “Xi” sounds like “shee,” also spoken with a quick, hissing sound.

Additionally, pinyin uses tonal marks over the vowels in a word to indicate which of the four tones to use. The tones are critical in Chinese for meaning and comprehension. Saying “ma” with a high-pitched even tone could mean “mother” or “to wipe,” whereas saying “ma” with a rising, low to high-pitched tone means “horse.” The simple consonant and vowel pairing “ma” can make seven different, common words, using four tones and one neutral tone (no inflection or stress in the voice). Even with four differentiating tones, words still overlap on the same sound, like “mother” and “to wipe.” All the possible syllables in Chinese have these tonal variations which can change the meaning of the word completely. In English, clearly, saying the same word with a different tone does not change the essential meaning, only the emotional tone or context.

Every syllable in Chinese must have a tone, and every word in Chinese is a one-syllable word, a compound of two one-syllable words, or possibly a phrase of several one-syllable words. Also, syllables must be a consonant followed by a vowel, sometimes ending in the open consonant sounds “-n” and “-ng.” Therefore, fa, fan, and fang, are possible sounds for Chinese words, but a consonant-vowel-consonant combination like fal or fat is not.

To understand how this works out, let’s go back to “好,” the Chinese word for “good.” In pinyin, its sound is written “hǎo.” That is one syllable, a consonant followed by a vowel sound, with a tone mark over the “a” to indicate a rising tone. This pinyin script teaches someone familiar with Chinese pronunciation how to pronounce “好” (it sounds like the question word “how” spoken with a low, rising voice from the back of the mouth). Now, if using a computer or sending a text message, pinyin can be used to input “好” or any of the thousands of other idiosyncratic Chinese characters that would never fit on a keyboard. The user would type “h-a-o,” then the computer program would display a list of the common words that are written “hao” in pinyin. “好” is a very common word, so it would probably be in the first slot in the program’s list, so the user would press “1” and “好” would be entered onscreen. There are other Chinese writing computer programs that go by stroke input, but I found pinyin input to be the easiest method and much more user-friendly; it didn’t require a working knowledge of the written characters’ stroke order.

Typing "nihao" (for "hello") into a pinyin input gives these options. Option 1 is the most likely option; in this case, "hello." To select Option 1, the user presses either 1 or the space bar.

Typing “nihao” (for “hello”) into a pinyin input gives these options. Option 1 is the most likely option; in this case, “hello.” To select Option 1, the user presses either 1 or the space bar.

The list of options for every syllable input might have had you wondering why such a thing was necessary. Again, it is because every possible consonant and vowel combination is differentiated by the four tones, and the words sometimes overlap, having the exact same sound and tone. “Ma” and “hao” can make many different Chinese words. The pinyin letters are the same, but nonetheless the words are written with a different Chinese character. Chinese is very limited in its possible consonant-vowel combinations. Certain consonants can only be paired with certain vowels. Imagine in English if “she” was possible but “show” was not, and you will have a simple abstraction of what Chinese is like. Looking at the pinyin section of a Chinese dictionary, it becomes readily apparent that the Chinese language is a moderate collection of permutations. Nearly all the words are limited, single consonant and single vowel combinations. English allows for most any pronounceable consonant cluster, and consonants and vowels can form whatever syllables are practically demanded. A word like “strict,” for example, starts with “str-,” a three-consonant cluster inconceivable in Chinese, and it also ends in a hard-stop consonant cluster: “-ct.” Chinese words, written in pinyin, cannot do that. They must end in short, open vowels or in an open consonant sound: “-n” or “-ng.”

Having short, one-syllable words and limited combinations of consonants and vowels necessitates that Chinese has far fewer written words (characters) than English. Chinese uses compound words to create new words from its basic building blocks: one-syllable words, so it is not lacking when the people need a new word to express a new concept. It is only that the new words are all compounds of the existing, simple words. A funny example from the modern age: “computer” in Chinese is a compound word combing their words for “electric” and “brain.” Very simple, perhaps charmingly so, from an English speaker’s perspective. But it must be considered that English accepts all comers in its world word buffet, so long as the word works and has a nice feel or pronunciation. So the English language has an unmatchable amount of words by way of its borrowing from other languages. Regardless, the words and sounds of Chinese are nonetheless quite limited. The sounds are very often similar, indistinguishable to the untrained ear, or even actually identical, indistinguishable no matter whose ears you use.

One other thing, besides pinyin, which was implemented as part of the latest stage of the development of the Chinese language, that being Chairman Mao’s cultural reforms and the intent to make the written language easier to use: simplified Chinese. Simplified Chinese is basically making shortcuts in the complex, intricate, and numerous strokes of many Chinese words. Taking the pen to write “龍” (“dragon”) requires 16 brush or (commonly) pen strokes in traditional Chinese. Making it simpler, but still somehow recognizable, simplified Chinese writes the same word/symbol as “龙” and only uses 5 strokes. An economical alternative trying to make a written language which is by nature cumbersome a little less so.

One word which could use the simplified treatment, which relates back to one of my original questions on the Chinese language, is the character for “I”: 我. The most common pronoun and most common word in speech is pronounced simply (it sounds like “wuh”), but it is written with seven marks of the pen. These seven marks, while written rapidly, are astonishingly too numerous- at least four or five too many- for such a common word.
I know this passage has been tedious, an informal information dump, but I believe it is relevant and necessary to include in my discussion on the topic.

For those more familiar with Chinese, please forgive me where I have been imprecise or ignorant. I will forgive you for not skipping over this section as I asked you to. And for those unfamiliar, I hope I have provided you with some insight and a feel for my experience with Chinese, which is admittedly very limited. Before I get into my complaint on the Chinese language, I would now like to offer a personal observation, an analogy for Chinese and English that is entirely subjective but I think an accurate and easy way to understand the essential difference between the two languages.

Continued in Plumbing and Blocks: A Metaphor for Language

Why I Stopped Learning Chinese

(Note: my references throughout are to Mandarin Chinese, or the standard dialect of Chinese which I learned and was exposed to. Cantonese and other major dialects I did not live with nor learn.)

Anyone teaching English as a foreign language, anyone living in a foreign country, in my opinion, ought to make the effort to learn a new language.

Per teaching English, it is crucial that the teacher understands how to think through language, how to deconstruct sentences and convey meaning to people who have never lived in the context of the language’s home culture, whose ears do not hear the difference between a syllable’s sounds or a word’s feelings. If a man intends to teach, he should be humble enough to learn. Doing the work of thinking through a new language enlightens the teacher to the obstacles before the language student and, I should think, teaches him empathy for those who are learning.

For those living in a new country, the benefits of learning the native tongue should be obvious to anyone. Consider buying medicine from a row of bottles labeled only with foreign script, calling a phone directory to ask for assistance, scheduling an appointment, asking for directions or any kind of help; imagine the need for holding a conversation, interacting with a fellow human being in a meaningful way, or ever participating in the native culture and society. At the very least, learning the natives’ language shows them you are serious and respectful about your stay in their country, and it clears you from charges of hypocrisy should you ever lose patience with an overseas customer service call center and tell the representative on the other end to learn English.

These reasons are enough to induce any serious English-as-a-second-language teacher (there are a few reported to be in existence) to give learning a new language a noble effort. The mountain is a tall, steep climb though, so the new language learner will need a high level of constant motivation (and that from within, not necessarily without) to steel his discipline. He has to want to learn the language. I had, as mentioned, a fascination with East Asian cultures, and a curiosity- shared by most, I suppose- for the artful brushwork of Chinese handwriting. Plus, the dissimilarity and difficulty of Chinese did not intimidate me, it intrigued me. I can look at a food label in Spanish and work out what “sal” and “azúcar” mean by comparing them with English, but when looking at the Chinese symbols on the same food label, I have no idea which of the little dots and dashes to start with. The intricate characters are impressive, but equally abstruse. There is no way for a foreign speaker to sound them out or even begin to guess their meaning. So I wanted to learn the key to unlocking Chinese symbolism. I wanted to satisfy the many questions I had about a language I could not fathom yet which functioned as the communicative and cultural medium for well over a billion people.

For instance, what do the pronouns “I,” “you,” “he,” “she,” and “we” sound like in a language with no connection to Latin? And how are they written? Is there simplicity and significance in their sound and appearance? In English, “I” is written and spoken as simply as is possible, and the rationale for this is axiomatic- in spoken language no other word is used so frequently. The word I use to refer to myself, “I,” ought to be able to be spoken rapidly; there should be no effort in saying it or writing it. I wondered, does Chinese follow this same self-evident logic?

Could I distinguish words by their sound, by onomatopoeia? “Onomatopoeia” comes from the Greek term for the “making of words,” so how did the Chinese make words? In English, the words “fast” and “quick” sound fast and quick, and “slow” and “languid” sound slow and languid. Could I extract the meaning of Chinese words from their established sounds? That is, would the Chinese word for “love” sound soft and expansive? Would harsh verbs like “kick” and “cut” sound as, well, as they were supposed to? Or would they be indistinguishable and (completely) arbitrary as the sounds for plain adjectives like “tame”? And with China’s writing system, famed for its exotic beauty, what would the special words look like? I mean, they could write the word for “sign” however they wanted, but the words for “tiger” and “dragon” and all that Chinese glamour, and big words like “love” are supposed to look… um, I will draw on my juvenile vocabulary here: cool.

So let it be known that I entered into my Chinese studies with a deep well of enthusiasm and interest. I had the self-motivation necessary to begin a new discipline and overcome the obstacles and setbacks inevitable along the way. There are so many languages and cultures that I could not summon the effort to spend an honest hour of study on (and I wager my readers who examine themselves will admit the same). Chinese was a language and culture I had a thirst to know more about.

Aunt Fong and I, ready to take on all things China.

Aunt Fong and I, ready to take on all things China.

My Studies

I mentioned that my first Chinese friends, Caili Ma and Aunt Fong, were my first Chinese teachers. Caili had experience teaching Chinese as a foreign language, so she would work with me in practically the same way that I learned to teach English, which was focusing on one piece of language and drilling it until I became comfortable with it. Caili would take turns asking me questions and having me ask her questions, always on one language focus or one sentence structure. An example, translated from Chinese: “Who is he?” “He is a man. He is my brother. He is 24 years old.” “Who is she?” “She is a girl. She is a child.” And so on.

My other teacher, Aunt Fong, had never taught language before, and her English skills were sorely lacking, hampering even basic communication with someone who did not intuitively understand her expressions and body language. Aunt Fong and I did intuitively understand each other, so we could get along and palaver our points with patience. I thought of our pairing like Han Solo speaking to Chewbacca, where we had an emotional bond and mutual understanding despite our exclusive languages. In this analogy, I was the tall spectacle in China, more than six inches taller than the average Chinese man, and differing in skin and hair, and Aunt Fong was the charming one with social ease that allowed her to approach anyone and start a conversation, once even getting us invited into a stranger’s KTV room for food, drinks, and singing, so I suppose that makes her the Han Solo and me the Chewbacca.

Aunt Fong’s ebullient personality affected our study time together; we would jump from topic to topic, never settling on one piece of language or ever establishing a plan. She would print off Chinese language study sheets online and give them to me, and after a haphazard four-hour session, I might pick up some new vocabulary through exposure. Exposure is helpful to get used to the sounds and rhythms of a language, but I was certainly unprepared for asking or answering questions when I arrived in China months later.

Once there, I began a much stricter study regimen with Aunt Fong’s husband, Uncle Jiang, a Chinese language professor. He had never tried to teach an adult to speak Chinese, but he was well-learned in Chinese language and literature and had studied English to an advanced beginner level, so he had the knowhow, ostensibly, to teach me. We began meeting two nights a week for two to four-hour study sessions.

Because China is a strongly patriarchal society where the teacher or the father of the family holds court, dictating or occasionally throwing a tantrum as everyone sits passively in uncomfortable silence, and because I am too meek and polite to ever voice an objection, our study sessions lasted for as long as Uncle Jiang wanted them to. This meant I would be sitting at his wooden table as he paced around the apartment, chewing sunflower seeds, spitting out their shells, and commanding me “Again!” whenever I paused long enough from my recitations to swallow and clear my throat, reading and re-reading lesson stories about friends going to a bookstore until Uncle Jiang was likewise exhausted and dismissed me around ten o’clock.

The first lesson, he grilled me and grimly shook his head after I tried to pronounce the four basic tones of Chinese for him (I will explain the four tones momentarily). “No,” he grumbled in a low voice without inflection. When I had practiced with Caili Ma, I was able to mimic her tones, but there was a gap of half a year between then and when I demonstrated for Uncle Jiang, so the mental impression I had of Chinese had rusted and warped in the meantime. He would have me repeat the four basic tones and the consonant sounds of Chinese over and over, telling me without gentle euphemism, “No… No. You…are wrong.”

I once sat with him for ten straight minutes, staring at his mouth as he had commanded me and repeating the Chinese sound for “c” without pauses. Ten minutes isn’t such a long time, but those minutes passed “c” by dreadful “c,” Jiang modeling and me repeating hundreds of times. I thought I knew how “c” was supposed to sound in Chinese, but Uncle Jiang got frustrated with me right away and insisted we drill it and drill it. Eventually, my brain turned to mush and I stopped thinking, only reacting and- I swear a tape recorder would back me up on this- exactly emulating the sounds emitting from Uncle Jiang’s mouth. He finally gave up on correcting me and shook his head. A day later, the university’s Foreign Affairs Officer, Amy Hu, whose English is excellent, told me that “c” in Chinese pinyin script (I will also explain pinyin in a moment) sounds like “-ts” in the words “lights.” That’s what I thought in the first place. I kept that in mind and from then on my supposed “c” problem was solved.

For my homework from Uncle Jiang, I would repeat the sample sentences from my workbook a set number of times until I could speak them at a fairly rapid pace. With his exacting pronunciation critiques and my repetitive drilling, I attained a decent beginner’s level of Chinese. Certain phrases were imprinted on my brain that will stay in my memory, ready to be called up for near-fluent use until the day that I die.

There was something that I quickly forgot and will forever lose unless I pick up my workbook again: the written Chinese characters. Chinese has no alphabet and no phonics. Chinese words are not built up out of parts, they come whole, so every word must be memorized individually. (Technically, it must be said that the written characters are built up out of parts because the simplest symbols and shapes are combined to form new symbols, and all characters draw from the same pool of standardized stroke movements. This means that Chinese characters have similarities and roots- it would be impossible for them not to- however the root symbols are usually not reliable for pronunciation or even meaning, and memorizing word by word is still very difficult and time-consuming.) To memorize a written word in Chinese, a student has to learn the proper stroke order (i.e. pen or brush stroke), which essentially leads the hand to draw the character. In English, young students need only learn how to write the 26 characters A-Z. After struggling with the difference between “b” and “d” and likewise making sure to face the loop of the “p” on the right side, any moderately bright kindergarten student is ready to write any letter at will in only a few weeks of training. Then, using phonics and familiarity, any word can be spelled.

For comparison between the two languages, let’s look at the word “good.” To do so, I will need to begin a new section which anyone who is already learned in the Chinese language will find tedious and unnecessary. I urge these readers to skip past this next section and save me the embarrassment of having my mistaken explanations and generalities corrected.

Continued in “The Basics of the Chinese Language.”

Normal in China: Kung Fu in the Park

Militant Chinese Communists cowered whenever I mentioned the word “gun,” but they gave no thought to the daily sight of men carrying two-handed long swords over their shoulders on the way to go swing and twirl around in the park, or the groups armed with tai chi swords (called jian) carving the air in unison, or the student clubs of young men swinging metal nunchucks around the soccer field and tennis courts in the twilight dark.

Getting some pointers from a friendly spear-wielding stranger in the park.

Getting some pointers from a friendly spear-wielding stranger in the park.

It remained conspicuous to me, even though I brought a sparse knowledge of Chinese martial arts and exercise with me on my foreign stay. I knew there would be tai chi morning exercise groups, of course- what surprised me was just how numerous and common these groups were, being at every mid-sized park I went to in China, and how diverse and popular the practice was. There were tai chi groups with swords, with folding fans, and the various forms of empty hand and breath control tai chi, and there were individuals who brought out their imposing spears and pole weapons for solo practice, and there were dancing groups for uptempo line dancing and partner ballroom-style dancing, and various and sundry different styles of kung fu.

Aunt Fong's father-in-law leads me through his daily tai chi routine.

Aunt Fong’s father-in-law leads me through his daily tai chi routine.

Anyone familiar with Chinese language and culture might note that kung fu is a broad word that does not designate martial arts only. Kung fu (or “gong fu” in Chinese pinyin, which is 功夫), as I understand it roughly, refers to both skill and practice. A musician could refer to her piano playing as her piano kung fu, her years of piano practice likewise as kung fu.

Aunt Fong encouraged me to study "Chinese tea kung fu." I couldn't resist deliberately misinterpreting "kung fu" and sent her this doodle of "Kung Fu Fong."

Aunt Fong encouraged me to study “Chinese tea kung fu.” I couldn’t resist deliberately misinterpreting “kung fu” and sent her this doodle of “Kung Fu Fong.”

So, all the acrobatics and dancing and weightlifting and running and stretching and martial arts forms and competition that I saw could be summed up as kung fu. The stout old man in the riverside park that I nicknamed “Master Splinter,” who twirled two bo staffs at a time and juggled them by launching one into the air as he transferred the other from his left to right hand, and bellowing a high-pitched wail deep from his belly as he did so, was practicing kung fu. He was also doing kung fu when he led a small group of young students through handstands,flips, cartwheels, and splits.

Learning to spin the bo staff.

Learning to spin the bo staff.

Aunt Fong was always telling me “China gong fu, very good!” I was practicing sanda, or Chinese kickboxing, already, which would count as a form of Chinese kung fu, but I think she wanted me to do something more traditional. In China, the more ancient it is, the better. And even though I remember telling her “Okay, I’ll try it” dozens of times, she seemed to sense my growing skepticism that “China gong fu” was “very good!”

I practiced two different styles of kung fu in the park. The first was with my aunt’s friend, Wei. Because he was such a big man, we called him by the Chinese word for big, da, and so he was either Da Wei or Master Da Wei.

Da Wei showed me a kung fu form that consisted of choreographed moves going forward and back in a straight line. Each week, we’d review the routine so far and then he’d add another line of moves onto it. By the end, I was going back and forth 6 lengths, kicking and clawing and elbowing and blocking. It seemed not at all practical from the perspective of martial arts as a means of self defense from real, stronger foes, but as a training method for body movement it helped me flow in a way I hadn’t done before. And while I was thankful to learn one-on-one from a teacher who was generous with his time, I have to say it seemed very dull to be doing such basic moves over and over, not the amazing flips, spins, and crisp, snapping techniques of Shaolin monks.

Going through the kung fu form with Da Wei.

Going through the kung fu form with Da Wei.

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The other kung fu style I got to try is translated into English as “push hands.” In push hands, two people stand arm’s length from each other and do as the name says: push each other until one loses balance. It might sound dimwitted, like an excuse for boys to play rough in the schoolyard, but in practice the skilled push hands players moved so smoothly in reaction to my attempts at shoving them that several times I lost my footing and had to step forward, off balance, because I had over-committed my forward motion. The look and feel of it was like Neo’s bullet-time back-bend fall in The Matrix. Any time I pushed their chest, they rolled their shoulder back, gripped my pushing arm, and pulled me forward. Try as I might, I couldn’t move them out of position without resorting to wrestling-style overhooks and underhooks (encircling and gripping my arm around their arm).

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A few times, my opponent got aggressive and pushed into me with all he had, sending us both to the ground, me first. The goal of push hands was only to get someone to step out of their standing position, not take them down to the ground. I was more than used to being wrestled to the ground from my experience in Brazilian Jiu-Jitsu, so while the exceptional falls were unexpected, they did not catch me unprepared. I immediately latched onto my opponent’s exposed neck and, without squeezing, held them in a choke hold for a couple seconds to prove a point: while they may have won the push hands battle, I had won the war. In a live situation, me squeezing for a few seconds would have cut off blood flow to his brain and made him black out. And, while their kung fu was spent mastering how to push and react to pushes from a straight-on, standing position, my kung fu back in America was spent on martial arts- martial arts as a real method of combat and self defense.

Gathering an audience as I press in with my overhook grip. My back is dirty from getting pushed down earlier.

Gathering an audience as I press in with my overhook grip. My back is dirty from getting pushed down earlier.

Another extremely aggressive opponent in the push hands group would look for opportunities to latch onto my fingers and bend them backwards. Bending fingers is so dirty that even early no holds barred/mixed-martial arts events banned it, along with other notorious moves like eye pokes, fish hooks, bites, and groin strikes. I was afraid for my safety, having this stranger in a strange land quickly go for this injury-causing move, and in that desperate moment, having no safe word or mutual unspoken ground rules to rely on, I had to hook my leg around his in a reaping motion to trip him backwards and release my fingers. Shockingly, his onlooking buddies in the push hands group made a commotion then, not at him for hurting an unsuspecting beginner, but at me for using a judo throw in a pushing game.

Even more surprising, when my malicious sparring partner righted himself back up, he again went for a grip on my fingers as soon as he was able. Looking back, I should have told everyone “Bu yao” (“No/ I don’t want”) waved it off and walked away. Practicing with an untrustworthy partner like that is a stupid way to get hurt or let bad feelings build into a real fight. But I pressed on for a few more rounds with him.

Getting arm-dragged in Communist China.

Getting arm-dragged in Communist China.

In a way, I felt like I had to prove myself. Aunt Fong had introduced me to this group on several occasions, and each time, instead of them coaching me through drills and new techniques, they all waited to take turns against me in a battle of China vs. foreigner. I really wanted to compete against them and better my skills. So, against my adversary, I had to be constantly on edge, yanking my hands away as if from a hot stove whenever I felt his grip begin to squeeze. To this day, I remember his hollow eyes and predatory smile the way crime victims in stories recollect their attackers even all the way back from childhood.

On the taxi ride back from the park, Aunt Fong could read it on my face but I told her anyway. I didn’t want to do Chinese kung fu any more. “China gong fu” was not “very good,” but fallen in my eyes.

The Real China: Trains and Travel

Throughout life, I have managed to silently keep my peace and meekly abide through many and various insults and indignities, my teeth often gritted, but my turned cheek being slapped without protest. Without this experience and temperament, I wouldn’t have been able to endure a full year in China. Its transportation rituals, however, had me at my breaking point. All of the buses and subways I used in local mass transit systems were fine and about as good as one could expect for each respective city in China. What I mean to discuss are my trying journeys: the train rides and my travels into major tourist areas.

A typical scene at a smaller train station.

A typical scene at a smaller train station.

China has built up its railway network so that most every city on the east coast is linked with all the others, and residents of one can conveniently buy a ticket to most anywhere at their local terminal. Not many people have cars, so the railway system functions as the alternative to the American interstate system. Major lines, like those travelling due east to Shanghai, also offer a high-speed rail service. China isn’t on par with the Japanese rail network (will any country ever be?) but it is investing heavily to make its own infrastructure faster and better connected.

I did make a few trips by car and bus on the toll-ways, which were not so unlike their American equivalent, minus the build-up of roads, businesses along the exits, and traffic jams (not that traffic jams don’t happen in China, just not on the toll-ways I traveled. In fact, China has made world news several times from its days’ long traffic jams). Buses are the number one method for long distance holiday travel in China, though I found that statistic hard to believe when comparing my bus trips to my experience in the very crowded train stations. There were times when I was in a ticket line or train car and I began counting the heads of people: “1, 2, 3…” then thought that there were so many people it would be faster to count down from China’s total population to find out the number of people in my train: “one billion, two hundred and ninety-nine million, nine-hundred and ninety-nine; one billion, two hundred and ninety-nine million, nine-hundred and ninety-eight…”

Like many mundane tasks in China, I always had an escort with me, a friend to buy my ticket for me. After waiting in line and showing my passport to the cashier, my translator would make the purchase- same as anywhere, except the business being done in Chinese made it especially boring, unknowable, and fickle. Buying a ticket for one trip might only take ten minutes and my friend would take care of the whole process while I waited near the building entrance. Other times, I’d have to dutifully follow someone back and forth between the self-service computer terminal and cashier line, watching them in their shared confusion and frustration, having nothing to do with myself except remember the times as a child that I had to trail behind my parents in a store without toys.

The train travel itself was where the real frustration began, far more hectic than the tranquil-by-comparison ticket office. Outside of the terminals, there was typically a plaza surrounded by retail businesses and dozens of food vendors (if you ever find yourself in China and you’re brave enough to try them, I recommend the hard-boiled eggs sitting in the pan of near-black sauce). The terminals- train and bus- were major gathering spaces in the world’s most populous country.

A great mess of humanity streamed in and out of the main doors, but to get in (sometimes out) required passing through narrow metal gates. The barriers were set up to direct the crowd through the ticket and security checks; being China, this meant the crowd would push and jostle their way into the single-file opening. In any country, waiting in lines to pass through security and gate checks is a ritual that ranks around a trip to the dentist’s office in terms of pleasantness, but as a consolation, at least the people in most other countries are waiting in line. Experience quickly taught me that the metal barriers were a necessity in a land without manners or respect for unwritten rules like waiting one’s turn.

In China, men with duffel bags slung over their shoulders barged past me without regard; petite female ticket-takers seemed to seek me out and palm-strike me in my kidneys as they cut through the crowd. However mellow I imagined my demeanor, funneling through the gates was a miserable enough experience to make me ball my fists and look for the next pusher to make an example out of him- or her- for all the rest.

Wading through those bottlenecks, sometimes over 20 rows of people deep (God help the fleeing crowds if there were ever a fire emergency), seemed like the worst thing, but it was only the first major hassle of a Chinese train trip. Inside the waiting lobby, all those swarms of people sprawled out in the many rows of seats, letting their outer coats, bags, seed shells, plastic food wrappers, drink bottles, and (it can be assumed) spit fall to the floor. A dowdy cleaning woman would shuffle around the people standing throughout the floor space, thick as insects, and use a straw broom to sweep up the refuse in a futile, never-ending cycle.

Outside a train station. Small shops and restaurants abound on the lower levels.

Outside a train station. Small shops and restaurants abound on the lower levels.

A large convenience store was usually located in the waiting lobby; the major terminals had small restaurants and shops like a modestly-sized airport. Browsing through the cramped shelves of food and buying a bowl of instant noodles was my only respite when the train was delayed, which it was by several hours on one occasion; I also had a bus trip that was delayed by over an hour, though it should be noted that those were single events and I don’t have any figures on the percentage of delayed trains and buses in China. That one evening when my train was delayed, the instant noodles had to suffice for dinner as the delay was indefinite, without an announcement about the estimated arrival time or cause of the problem. My friends and I waited outside the departure gate altogether for four hours until the proverbial watched pot- our midnight train- boiled.

China proved too much for this boy, so he left with his student friends on a midnight train to Hefei.

China proved too much for this boy, so he left with his student friends on a midnight train to Hefei.

Inside the Chinese train cabins, the ride varied considerably depending on the class of ticket and destination, but it was always crowded to full capacity at least. The nicest ride, the high-speed G trains, were fitted with new, reclining individual seats, and they could cut the travel time by more than half. This expensive service was exclusive to major city routes, which in my area meant I could take a G train to Nanjing or Shanghai. But keep in mind, it was still China, so the high-speed ride, while smooth, was far from leisurely. Passengers talked, chewed, littered, had phone conversations, watched portable DVD players, and played music through speakers- not headphones- all at full volume. Yes, believe it or not, somehow the littering was at full volume too, but to be fair the noisome litter did not remain on the floor throughout the whole trip. A cleaning woman would come by to collect trash and bark at you to lift your feet so she could sweep. Plus, in addition to the noise of the passengers and their devices, the overhead television screens would be flashing commercials, programs, and movies at a soft volume that was loud enough to be distracting but impossible to make out over the clamor of the car. A tease if you were interested in the program, a bother if you were trying to enjoy quiet while you read or napped.

The typical train carriage, not the elite G train car, was crowded too, but beyond crowded were its straight-back benches and well-worn cushioned seats, overflowing with people so much so that extra passengers- those with a seat-less ticket- gathered in the connecting space between cars or sat in between their friends’ seats, if possible. Shoeless souls set up buckets between the rows of seats or slumped over on top of coats and bags to try and sleep in an unsightly pile. Not since riding in a mud and trash-covered bus on my way to detassel corn fields in Iowa had I seen people so indiscriminate about the conditions they slept in.

Waiting to board the G Train.

Waiting to board the G Train.

One convenient alternative to the lousy rest on these basic cars were the sleeper cars. Traveling to Beijing, which is located far up in the northeast near Inner Mongolia, I had booked an overnight trip on a sleeper car (that is, I had the trip booked for me). Shortly after midnight, I boarded the train and tottered through the narrow walking space of the cabins and found my bunk inside the darkened interior. My room had four bunks, two on each side wall, one above and one below. I was up top, and I was lucky that none of the other passengers had used my bunk for storage space, so I was able to hoist myself up and lay myself out without having to try and negotiate with inconsiderate passengers to move their bags in a language I didn’t really speak. Even though I was well over the average height the train bunks were designed for, I managed to find a sleeping position and slip away from consciousness until around seven o’clock, when daylight filled the cabin and passengers and porters started making a commotion to disembark. I managed to get a fair night’s sleep and get a long trip out of the way at the same time- not bad.

The flip-side of the sleeper car coin was what I experienced when traveling to Shanghai, not half the distance to Beijing from where I was staying. My escort for that trip, Uncle Jiang, insisted on the sleeper train either to save money or because he illogically thought it would be a sensible trip to make overnight. I don’t know. Again, I was an illiterate, childlike observer when the tickets were being purchased. Sometime after one in the a.m., we boarded the train and made our way to our bunks. Less than five hours later, we were woken by the porter. I followed my escort as he tried to navigate the pre-dawn streets and bus terminals of Shanghai, feeling doubly grumpy from poor sleep and having to wait on my guide for unendurable amounts of time as he studied the wall map in desolate, not yet open bus stations. I suppose Uncle Jiang’s brain was just as foggy as mine was after our tease of a sleep.

But that sour experience was nothing compared to the worst long-distance travel I suffered not only in China, but so far in my short life. I have to preface this by saying I realize persecuted people around the world have been rounded up for train trips to prison camps and death camps, far worse than what I endured, so take my complaint for its relative worth. My description is vivid, not hyperbolic, and it was a truly awful experience, though not comparable to the worst trips ever suffered by human beings, as I admit. What makes this awful trip of mine noteworthy was how very typical it seemed to the Chinese people crammed into that train car with me, and how it wasn’t a cause of anger and outrage.

The pace and conditions of this car ride reminded me of news reports about jet planes grounded on the tarmac for hours on end with no food service or air conditioning, or cruise ships that lost engine power and became stranded at sea. Yet those instances are exceptions to otherwise fair to decent service. This fateful train trip of mine was routine, repeated by thousands every week as the only means of access to a famous tourist town in China. As passengers, we were jammed in like swine, but the rail company was transporting us for profit, under a pretense of customer service. None of it was forced; the passengers weren’t on that train as punishment. A business, generously subsidized by government funds, offered this terrible service, and the passengers took it because it was the only option they had or because they were so beaten down, made powerless by life in China, that they accepted it as an unchangeable inconvenience of life. I become so angry just thinking about this trip that I have to calm down and compel myself to write so that you, dear reader, might hear the full story.

For months, Chinese students and friends had been asking me if I had seen Yellow Mountain (Huangshan), “the most famous mountain in China.” I had never heard of it before coming to China, but every time someone queried me about what I had seen in China, they always asked about and recommended Yellow Mountain. “China has five famous mountains. But we say, ‘If you see Yellow Mountain, you do not need to see any other mountains.'”

A famous "waving tree" greeting visitors at Yellow Mountain.

A famous “waving tree” greeting visitors at Yellow Mountain.

Strangely, many of its advocates had never themselves been to Yellow Mountain, and I even spoke to several young residents of the town of Yellow Mountain (Huangshan City) who had never ventured to the nearby mountain range. I say strangely, but after living in China for a year it was the type of answer I came to expect.

“Have you seen Huangshan Yellow Mountain?”

“No. Have you?”

“No. I have no seen it.”

“But you live in Huangshan City.”

(Grinning silence)

Yellow Mountain, although a big regional draw, was connected to the rest of the Chinese railway system by a single rail line that ran only the slowest trains. I heard that Yellow Mountain was beautiful and scenic all year round; I chose to go in June, right after the spring semester had ended. Two eager students of mine arranged everything and accompanied me on the long weekend trip.

Boarding the train, I wasn’t clear how long the ride was supposed to last. I walked on and shimmied past all the people lounging in the entryway and by the bathroom (a hole in the floor, or more accurately a hole in a metal basin that emptied directly onto the tracks below. It was against the rules to use it while the train was stopped in a station, and I think it was one of the few rules obeyed by all). My student friends told me we had seats on our tickets (not everyone was so lucky), so we budged through the thick tangle of people standing in the aisles and took our very cramped seats on the bench seating. We were arm to arm and hip to hip in steamy summer weather. I battled the urge to panic. I was trapped with a table top pressing against the top of my lap, sitting tightly between two bodies, with no way out. I couldn’t move an inch in any direction.

Every time a new person sat down in the window seat, they tried in vain to push the window up higher. It had a catch so that it could only be opened a maximum of four inches. The train, I would estimate, moved at a top speed of 30-35 miles per hour and made twenty-minute stops at the many stations along the way, so the breeze filtering in from outside was hardly a relief.

One of the only ways to pass the time was watching the passing scenery. Here, a very common sight in China: multiple cranes at a high-rise apartment building project.

One of the only ways to pass the time was watching the passing scenery. Here, a very common sight in China: multiple cranes at a high-rise apartment building project.

Whenever we made one of our frequent stops, vintage fans of wire and metal would oscillate overhead, failing to counteract in the slightest the combined summer humidity and body heat. It was a vain show of providing desperately desired relief. As passengers boarded and disembarked, luggage was hoisted and dragged through the compact network of bodies that irksomely flowed around the moving passengers, then those riding on settled back into their standing positions.

On the way to Yellow Mountain, we began with an over-full load of passengers that slowly dwindled away at each station until we had a reasonable amount of space right before we reached the end of the line. To reach Yellow Mountain City took all day- we started before lunch and arrived after dark- and so we searched for a taxi to our hotel in the dark, pouring rain.

The mountain and surrounding areas were lovely and scenic as everyone intimated, though I wouldn’t agree with the boastful Chinese proverb that once a man had seen Yellow Mountain, he need not see any other mountain in China. The trip was filled with rainstorms, views of waterfalls, steep stone-stepped inclines that brought the legs to a halt, tea sales pitches, and winding bus rides.

A view of a stream running down a mount of Yellow Mountain. A scene from "Crouching Tiger, Hidden Dragon" was filmed here, so I had to repress thoughts of the badness of that movie to fully enjoy the scenic beauty.

A view of a stream running down a mount of Yellow Mountain. A scene from “Crouching Tiger, Hidden Dragon” was filmed here, so I had to repress thoughts of the badness of that movie to fully enjoy the scenic beauty.

Huangshan in the rain. I really wanted to buy one of these extra wide farm hats, but the thought of shipping or hauling something that size prevented me.

Huangshan in the rain. I really wanted to buy one of these extra wide farm hats, but the thought of shipping or hauling something that size prevented me.

The tea sales presentation proved too much for my friend, Maxwell to sit through.

The tea sales presentation proved too much for my friend, Maxwell, to sit through.

Exhausted from climbing in wet shoes, sitting in wet shorts, and walking through shopping streets, my student friends and I made it back to the train station for our return trip, same as the first, but a whole lot hotter and a whole lot worse.

This time, my students hadn’t been able to procure seats. The train, being the only train out of Yellow Mountain, was too much in demand. But the cashiers don’t turn any buyers away, so we were one of many surplus passengers who would sit in a seat until the car became too full and a seat holder came to evict us from his spot. Then, we stood up, pressed together, holding our bags in hand, and leaned against the sides of the bench seats to balance ourselves. I had purchased a folding fan as a souvenir from Yellow Mountain (Huangshan) City’s shopping street; I used it to try and supplement the faint, scant breeze from the rotating overhead fans. I couldn’t stop waving the fan, the heat was so intense and there was no relief from the steamy summer heat by way of fresh air movement or the opening up of free standing room space.

Eventually, I realized my fanning was futile, and besides the sweat from my hand and the strain of the vigorous fanning were wearing out the fabric until it was close to tearing, so I gave up the battle and holstered my puny folding fan. Sweat streamed down my face and my shirt became plastered to my body. I was too hot and crowded to feel embarrassed, and it was clear that everyone else was suffering in that summer heat trap, too. It was like being in a sauna on a low heat setting and having the door handle break off when you wanted to exit. The only thing on everyone’s mind was the suffering. There was no comfort. We were reduced to our basest elements, physical bodies cooped up like animals. It would have been a dream to do as they do in India and ride on top of the train to feel the rush of the wind outside.

Or was the suffering on everyone’s mind? Throughout the trip, I noticed others chatting away, watching TV, or looking passive like a typical passenger.

I spent that trip as restless as an infant with an earache, unable to take my mind off the misery. I brought my e-reader along on the trip, so that was one small relief over the daylong journey. In my irritation, I struggled to keep my eyes on my reading, and for a half hour I distracted myself by watching an episode of “Friends” on my friend’s laptop (old “Friends” episodes were fashionable and popular in China, at least while I was there). Eventually, thankfully, that trip did end. It would be the worst of several terrible travel experiences in China.

Like I said, people have suffered far worse travels, so the only thing I consider especially remarkable about the overly-crowded, slow-moving hot boxes is that the people in China expected it. To them, it was normal.

"Maxwell, let's never ride that train again."

“Maxwell, let’s never ride that train again.”

The Real China: Sing a Song for Me

At school talent show. Most every student I met was part of a talent show or school holiday performance.

Most every student I met was part of a talent show or school holiday performance.

The last time I was asked by someone to sing a song, I was part of a Sunday School Christmas program. Of course, that was before China.

My impression of China, and much of Asia, had been formed by the formality of Japanese culture and its intricate social politesse. I knew the Japanese liked to sing, but only in karaoke bars, and often only with close friends or when drunk. (Maybe that sentence should read “and when drunk.”)

Like the Japanese, the Chinese, I knew, also thought in terms of group harmony and saving face. But what about bowing, avoiding eye contact, speaking indirectly, and other characteristic Oriental traditions?

Chinese people, I would come to find out, don’t bow anymore. They shake hands vigorously like exuberant salesmen. As I quickly grew out of my ignorance, I learned that Chinese hardly spoke in hushed, indirect formalities. No, they tended to speak loudly, without prefacing their meaning with polite phrases or mild hesitation. From the basic Chinese language I acquired during my stay, I could already tell that many of the exclamations I heard used the barest words possible with no trace of complicated grammar to modify tone or expression. Example: “Come! Come! Come!” instead of “Come over here, please.” (I write exclamations and not statements because it was so common to hear Chinese call and cry out). Basic commands were the name of the game. Like a whistle and whip-equipped animal trainer, their sentences sprung out like an interjection, brusquely.

How about public reserve and spectacle? Saving face versus seeking attention? Were the Chinese demure or eager to mingle, to show off? Well, that answer is a two-sided coin, as are most coins. The young students tended to be modest and routinely refused to take credit when praised. Also, just as Americans are all good-humored, smarter, and better-than-average drivers, all my Chinese students considered themselves shy and did not want to be the one to stand out from the group. But I found a glaring exception: give them a microphone or goad them to sing a song and then step back. Chinese people love singing. It is their pleasure to sing a song for you.

Peng Liyuan, the wife of Chinese President Xi Jinping, is a popular icon known for her singing of super-patriotic military songs on TV.

Peng Liyuan, the wife of Chinese President Xi Jinping, is a popular icon known for her singing of super-patriotic military songs on TV.

In America, it is always the attention sponge with the acoustic guitar seeking romantic influence at social gatherings. In China, practically any one of the party guests is willing to be singled out to share their favorite song. When the soloist steps forward, everyone eagerly claps and sits in delight until the final note, then thanks him with a round of applause. Variety shows, where one person after another takes the stage to sing or play their instrument, are very popular on Chinese television, and they follow an unpretentious and schmaltzy style in tune with a tamer era of American television.

I witnessed Chinese enthusiasts singing in the park, singing in the car, singing in their homes, singing in talent competitions, in English speech competitions, singing in the private rooms of restaurants, performing a solo at their own wedding, and of course, I heard dozens of people sing at the KTV rooms, which is the Chinese term for karaoke clubs. The filthy streets were alive with the sound of music.

After the glitzy wedding ceremony, the bride changed into an eye-catching skirt and worked the catwalk with her singing skills.

After the glitzy wedding ceremony, the bride changed into an eye-catching skirt and worked the catwalk with her singing skills.

In a nearby riverside park, early in the morning, when groups would gather to practice tai chi choreography and line dancing together, I would always see one old kung fu teacher expelling his lungs in a shrill bird call. My aunt explained to me that he was releasing his chi or building his chi power- I don’t know the difference, only that it sounded like an animal dying. I tried to imitate him: “AAAAAAIIIIIHHHAAAAAHHHEEEEEAAAA!”, but my aunt told me I was doing it wrong. not enough agony, I suppose.

At night, in the same riverside park, a few enterprising individuals would bring in speakers, a television, a microphone, and plastic lawn chairs so that anyone who found it too troublesome to walk or taxi to a KTV club could come to the park and sing pop songs in the open air, more conveniently and cheaply.

At almost any time, someone would be willing to break out in song to entertain the group. Whenever Aunt Fong and I were with her friends, she would prompt me during, say, the car ride, and ask me, “Would you like… sing a song for me?” I would bashfully decline repeatedly until she pouted or persistently begged me for several rounds. She didn’t understand that I came from a jaded American generation that eyed everything cynically with ironic detachment. Singing out of glee? Who does that? My culture only expected someone to sing if they were on stage with a microphone or if they were a very extroverted personality. Singing for delight to share happiness with others in the group was, to me, charming and refreshing, but to American eyes it seemed so simple-minded and naïve. If you’re going to sing with friends in America, at least have an acoustic guitar and make the song a rock standard.

All right, I admit, that generalization is a bit narrow. I’ve seen American girls singing favorite pop songs in high school hallways and joining in on Broadway musical choruses, and I think everyone has sung along to the radio in the privacy of their own car. But the pleasure is often a guilty one, a hidden treat, not a performance. When I rode in the car with Aunt Fong or Uncle Jiang (when I accompanied them anywhere), they would try and show me off to their friends, or Uncle Jiang would put in his mix CD of Celine Dion, Richard Marx, Lionel Richie, and Michael Jackson, and we would sing along together. He knew those songs from memory, and he had me teach him the lyrics to one of his new favorites, Simon and Garfunkel’s “Scarborough Fair.”

After observing Uncle Jiang and the rest of China’s infatuation with song and Michael Jackson ballads (their favorite MJ song was “You are Not Alone;” pretty weak), I used their love of singing against them. My teaching arrangement at the local middle school required me to go in front of a class of 50 bored, uncommunicative students and humiliate myself 9 times per week. The students hardly understood me and hardly cared- except when I first walked into the classroom and they applauded at the sight of a young foreigner- so after wearing myself out trying to compel them to talk every week, I finally resorted to the winning strategy of writing song lyrics on the board. Most of the class would follow along, and those who didn’t were drowned out by the singing voices. All I had to do was be a ham and sing repetitively in front of a whole room of onlookers.

The only way to maintain order in this chaos was to lead them through "Over the River and Through the Woods."

The only way to maintain order in this chaos was to lead them through “Over the River and Through the Woods.”

In my university class, I never led a sing-along, but there were a couple times when a lone student stood up to showcase his singing abilities. The soloist might be shy at first, but after a wave of encouragement from his classmates, he would pipe out a few lyrics. Outside of the classroom was another story. When I invited students over to my apartment for a Christmas Party, several were more than willing to line up and have a turn serenading the party crowd.

Guests take turn singing at my Christmas Party to End All Chinese Christmas Parties. That's Aunt Fong in the Christmas colors sitting on the left.

Guests take turn singing at my Christmas Party to End All Chinese Christmas Parties. That’s Aunt Fong in the Christmas colors sitting on the left.

I think this performing instinct is why Aunt Fong was always urging me to sing for her friends. She wanted to entertain them, and what better way to show me off as a foreign novelty than to have me sing? I don’t mean to say I was only treated as a pet, though being made to sing for strangers by my aunt did make me feel, again, like a child. Aunt Fong genuinely enjoyed listening to me sing, and she would often request me to sing hymns that I had previously shared with her, and she even had me record a song so she could listen to it on her computer.

Aunt Fong insisted I record a song with her nephew, Ja Ja's help.

Aunt Fong insisted I record a song with her nephew, Ja Ja’s help.

Aunt Fong was very modest about her own singing abilities, but I thought she had no need to be so. She had a lovely, dulcet voice. I think her lack of confidence was from being around the operatic Uncle Jiang, her vocally talented nephew, Ja Ja, and other amateurs with well-honed voices. Ja Ja could rap and hit high notes for Backstreet Boys’ songs, and he even produced his own music. Uncle Jiang, when amplified through a KTV sound system, nearly blew out my ear drums as he bellowed Chinese patriotic and pop songs from yesteryear. Sometimes, he would hand me the second KTV microphone and we would sing “My Heart Will Go On” or one of the Chinese songs he taught me (e.g. “Dong Fang Hong,” which praises Chairman Mao for being as radiant as the sun and starving- excuse me- serving the people). Other times, Aunt Fong would encourage me to make selections from the KTV computer library of hits, and Uncle Jiang would impatiently delete my choices when they came in between his songs. The KTV experience could bring out the zeal in passionate crooners like that.

For those who have only experienced karaoke in an American setting- one brave (or shameless) soul singing from a monitor in front of an entire barroom- I will briefly describe the highlights of KTV. One thing to first understand is that the KTV clubs were everywhere. Every commercial district had several KTV buildings decorated with bright signs and elaborate, gaudy, multi-colored lighting. Even in my home base, which was considered tiny by Chinese standards, there were still three different KTV clubs to choose from.

Inside the clubs, more bright lights and mirrored walls decorated the lobby. A clerk at the front counter would book a room for guests as they shouted back and forth over the pumping music beats. After passing a snack bar with popcorn, candy, chicken feet, soft drinks, and beer, guests could walk upstairs or take the elevator to the their floor (there were no expansive, single-story structures in China besides the Forbidden City). Employees functioned as bellhops in the world’s loudest, brightest, and most kinetic, if not obnoxious, hotel, leading guests to their rooms. The KTV rooms were dark and loud, the volume left on max by the previous occupants. A large, vinyl couch hugged three of the walls, so a big group of about a dozen people could crowd into one room. There was a big screen on the opposite wall for music videos and scrolling lyrics, and a touch-screen monitor for selecting songs (sometimes Uncle Jiang would choose American songs for me and I would look at the screen, mute, and eventually communicate that I didn’t know this cross-cultural English language hit).

Karaoke-Harbin6303733

As the hours went by, the microphone would be passed around, everyone would sing their favorites and impress the rest with their voice, while fruit, nuts, snacks, and drinks would be consumed in a big mess on the table. KTV turned out to be a fun experience, most of the time. It brought out the performer in people, and it was a chance for friends to relax and have fun together. KTV was the go-to choice for an afternoon or evening outing, and it was also a way to cap off a night after an important business deal or special dinner.

So often in America, I have found myself after a dinner out with family or friends when, after an hour or ninety minutes tops, there is a palpable feeling that the affair is over and the restaurant, it is tacitly understood, would like you to move on to open up a table for the next diners. Even if Americans, contrary to custom, wanted to sit around a restaurant table for hours, the atmosphere would not make them feel at ease. The noise of the dining room, the servers constantly stepping in to ask if they can “get those plates there, for ya?”, the bare table, and the open floor plan with a busy crowd buzzing around impinge on people to leave. Then, with a few hours left before bedtime, the group is left to either go to a bar or part ways and go home to watch late-night TV, or scroll through their phones, alone.

In China, I found that big, private dining rooms for parties of six to ten people, followed by a couple hours of KTV together, was the time-filling solution to this social activity dilemma. It was one of the few treasures of Chinese life that I thought Americans should adapt, but knew never would.

The Real China: My Pet Chicken

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Every time I saw a chicken in China, which was about as often as days ended in “Y” (or, in Chinese, when they began with shinchee), I would take a moment to observe it with bemused glee. With Aunt Fong, I would point out the bird and tell her, “Look at that! That chicken is strutting around the parking lot like he owns it!”

Or I’d ask, “What’s that chicken doing in the street?” She never understood much of my words, but she definitely grasped my bewilderment at seeing live chickens walking around parks and sidewalks, or tied by the foot to a cage on the street.

“Yes,” she would laugh, “chicken.”

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Well, knowing that I had a fascination with all the filthy street fowls in her country, Aunt Fong called up a friend of hers and arranged us a visit to her chicken farm. So, one Saturday in November, a couple Chinese men came by in a pick-up truck and drove us through the criss-crossed residential streets of the city, then onto the high-speed roads and into an industrial zone at the very outskirts of town. Either we were going to be kidnapped in a factory warehouse, I thought, or escorted to a small farm property that was dumped next to the warehouse. Luckily, we made it to the latter. I could never be sure in China. In a foreign culture and language, my only option in new, strange situations was to wait and see.

My mental vision of a chicken farm had been formed by images of American farms with long, white-roofed buildings housing thousands of overstuffed hens in small cages. That idea was nothing like this Chinese chicken farm. This was a chicken paradise. On the steep, gravel ascent up to the farmhouse, in the ravines sloping down from the road, on the cinder blocks and assorted debris filling the valley, in the open spaces around the farmhouse, on top of the farmhouse itself, in, on, and around the chicken coops, and throughout the woods behind the property: chickens, chickens, chickens. This place was to chickens as China was to people. A variety of tawny, dapple-gray, white, and rust-colored birds swarmed over the landscape, with roosters issuing calls in a never-ending chain. I have no idea how those chicken farmers ever got a full-night’s sleep. Or, how they ever went into town without filling up every interior space they entered with foul chicken stench.

Chickens for sale on a commercial street.

Chickens for sale on a commercial street.

We had some time before lunch (in China, going to someone’s house is a big invitation, and a meal is expected), so I explored the grounds of the chicken farm and curiously examined all the nooks and crannies these birds had staked out for roosting. I don’t know what those chickens did with themselves besides gawk about all day from one place to another. But I saw the way they timidly gave way to me, and I knew what I was going to do with myself.

At first, I walked confidently forward, thinking a straggler would fall behind the crowd and fail to notice me. But chickens had to earn the reputation of being chicken, and as soon as I made way for a group they lived up to their name, clucking in panic and flapping away as fast as their dumpy bodies could carry them. I picked up speed and changed strategies. I would make for the flock but furtively keep my eyes on one lollygagger off to the side. Then I would break hard left or right, stoop low, and pump my legs in pursuit of my quarry. I tried this tactic out several times, working up a light sweat in the cold, fall air. It was no use though. The birds’ caution and quickness outdid my cunning and foot speed.

One time, I backed a few chickens into some netting. Most shot right back out as fast as they had pressed into it, but one stumbled and struggled to get back to its feet. Pinned underneath the netting, it panicked, trying to flap itself upright, and it clucked such a racket that I felt sorry for it. In my brief moment of hesitation, the chicken was up again, and it doubled back out and around the net, evading my grasp. Although I aimed on catching one of them, I had to fearfully compel myself forward because I had no idea if chickens would bite at me or scratch me when I tried to pick them up. My grandmother used to tell me that chickens were mean and they sometimes pecked at her when she gathered eggs as a child. But I didn’t gather any chickens that morning, and after many fruitless pursuits, it was time for lunch.

Country cookin' in China (at a different farmhouse than the chicken farm).

Country cookin’ in China (at a different farmhouse than the chicken farm).

I got to enjoy lunch at a couple different farmhouses in China, and the experience was about the same at each. The house itself was a simple, rectangular structure made of concrete blocks. The inside was partitioned into rooms that were separated by lengthwise walls, meaning people couldn’t walk between rooms inside- doors had to be entered from outside. Furnishings were at a bare minimum. They had beds and a large dinner table with stools, and a desk and a cabinet, maybe, but nothing on the walls or on the floor to soften the cold look of concrete. Maybe a Chinese calendar or a red paper symbol for “blessing” on the front door.

The farm houses I visited reminded me of my Boy Scout days, camping in a meagerly equipped shelter or cabin. Outside blended in with inside and the tools and accommodations inside were for function, not comfort. Dinner itself was like most of the other home-cooked meals I had in China. Cold meat dishes with bone in every chopped-up bite, and plates of limp vegetables swimming in oil. After the customary nap after lunch (the farm family offered me one of their beds to sleep on), Aunt Fong roused me awake to head back home.

But before we left, I watched as two workers fed the chickens with scoops of seed from a big barrel. The chickens were no longer shy, and when a few of the more audacious birds hopped up near the mouth of the barrel, the workers grabbed them around their ankles and tossed them aside, flapping to the ground. The one worker knew I wanted to hold one of the chickens, so after he seized one by the wings, he called me over and handed it off to me. Then, a moment later, he was clutching another, and so he transferred that one to my other hand. With one pinched by the wings and one by the feet, I held onto the chickens firmly as they flapped and struggled, and when they settled down for a moment Aunt Fong took my picture. Their behavior when I held them was like what I saw from the chickens and ducks in the street markets. Whether they were bound by the ankles or being carried upside-down, they would occasionally jerk to try and right themselves or get free, but mostly they just held still, resigned to being held in an awkward position as they looked around at everyone from an inverted angle.

I'm looking very drowsy after just having woken up from my post-lunch nap.

I’m looking very drowsy after just having woken up from my post-lunch nap.

As a special treat, the farm owner gave us a live chicken, packed in a box, to take home.

Back at Aunt Fong’s apartment, on the ninth floor of her building, she took some red, plastic string and tied one end to the chicken’s leg and one end to the handrail in the stairwell. I had a Sanda (kickboxing) workout that evening, so I got my gym bag ready, amusingly watched my new pet chicken roosting on the stairs, then took the elevator down and ran to practice. Aunt Fong picked me up around 8:00, and when we made it back to her apartment building, I stepped out on the ninth floor and expected to find my chicken. It was gone and so was the red string.

“Where’s my chicken?” I asked.

Aunt Fong conveyed that her husband didn’t abide with having a chicken in the stairway. Anything goes in China, but people still have their personal preferences. Aunt Fong laughed and told me to, “Ask Uncle Jiang:
‘Where’s my chicken?’”

I never did learn what happened to my pet chicken. I don’t think we ate it. I assumed Uncle Jiang either gave it to someone or let it loose to roam outside with the other feral chickens in the apartment complex. Yes, wandering chickens were a not uncommon sight in the apartment complexes of China, as well as the other spaces of the towns and small cities. Live, vagrant chickens were just a fact of life that none of the natives seemed to care about. The only thing they seemed to take notice of was the delight I had in spotting chickens in strange places. To them, it was nothing. Those places weren’t strange. Why did this foreigner care so much about chickens?

Chickens with red, plastic strings around their ankles.

Chickens with red, plastic strings around their ankles.

From then on, every time I saw a chicken with a red, plastic string knotted around its ankle, I would point it out to Aunt Fong and say, “Maybe that’s my chicken!”

She would laugh and tell me again, “Ask Uncle Jiang: ‘Where’s my chicken?’”

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